Igor Shulman Abstract Paintings

Fernando de Szyszlo Abolicion de la Muerte, 1987 Titled dated verso: "Abolicion de la Muerte" NY/87 Signed lower bottom edge center "Szyszlo" Oil on canvas 56 1/2 x 37 1/2 inches Fernando de Szyszlo was a Peruvian painter...

Boris Margo Cave Drama, 1938 Signed and dated lower left Oil on canvas 22 x 30 inches Best known as a painter of surrealist imagery, Boris Margo was born in Wolotschisk, Ukraine, i...

Conrad Marca-Relli M-3-73 (#CO-02892), 1973 Signed and titled "MARCA-RELLI M-3-73" on the reverse Oil, burlap canvas, and newsprint collage on canvas 39 x 62 inches Provenance Marlb...

Lavender Sky by Erika Wolf is an abstract oil painting on canvas with a soft, muted gradient, transitioning from cool blue-gray at the top to pale cream and earthy beige tones below....

Angelo Ippolito Untitled, 1961 Signed and dated lower right Oil on canvas 40 1/4 x 48 1/4 inches Angelo Ippolito was an internationally exhibited painter, renowned member of the Ne...

Masri Hayssam (Lebanese, Italian, born 1965) "Symphony" 2019 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and the back of the paint...

Bouquet, 85x80cm, oil on canvas

Theresa Bernstein Untitled, circa 1990 Signed lower right Oil on canvas 16 x 20 inches Theresa F. Bernstein was born in Philadelphia in 1895 to cultured, middle-class immigrant par...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creating strong visual zest and appeal on a small scale. The artist often creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Light at the End of the Tunnel...

Turbulence by Ericka Wolf is an abstract oil painting on wood that shows a soft, layered gradient, shifting from cool blue-gray at the top to gentle peach tones at the bottom. It fee...

Charles Green Shaw Happening, 1964 Signed and dated on verso Oil on board 8.75 x 6 inches Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin...

Blue Hour by Ericka Wolf is an abstract oil painting on wood with a soft, minimalist gradient, moving from warm cream tones at the top to cool, deep blue at the bottom. It feels calm...