Ivan Chermayeff Prints and Multiples

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 18.5 i...

Keith Haring Fun Gallery 1983: Original 1983 Keith Haring illustrated exhibition poster published on the occasion of Haring's historic 1983 show at the Fun Gallery in the East Village. A classic array of early Haring imagery that reveals red and black interlocking figures. A rare example in very good overall vintage condition. Offset lithograph in colors on smooth wove paper. 23 x 29 inches. Only some minor signs of handling; in otherwise very good overall vintage condition with strong colors; one of the better examples we've come across. Stored away from light; never mounted or framed. Unsigned from an edition of unknown; scarce. Catalog Raisonne: Keith Haring: Posters (Prestel Publishing). References: Included in the collection of the Cooper Hewitt, Smithsonian Design Museum. About the Fun Gallery: Historic, short-lived, East Village gallery known for giving Keith Haring, Basquiat & Kenny Scharf some of their first solo shows. “FUN Gallery was a place where neighborhood kids, downtown artists, b-boys, rock, film, and rap stars mixed with museum directors art historians and uptown collectors at wild openings featuring artists like Futura, Fab 5...

Pablo PICASSO (1881-1973) Series 156, Spectacle for a couple : Captain Frans Banningh Cocq and Women (plate 15), 1978 Original etching with aquatint (Crommelynck workshop) Signed wi...

Basquiat: Vrej Baghoomian gallery New York, 1989: Vintage original folding announcement card to Jean-Michel Basquiat at Vrej Baghoomian Gallery New York: 10/21 to 11/25, 1989. Pictured on front side is an image of Basquiat's iconic, 'Red Warrior.' A rare, highly collectible Basquiat ephemera piece that works well in any collection. Off-set printed gallery announcement. 8.75 x 5.75 inches (folded closed). Light signs of handling; otherwise very good overall vintage condition. Published by Vrej Baghoomian Gallery, New York, 1989. Unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene. His spray-painted crowns and scribbled words referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from a heroin overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. Related Categories: Basquiat Tony Shafrazi. Basquiat ephemera. Basquiat poster. Basquiat prints...

Lithograph on Van Gelder wove paper. Hand signed lower right by Pablo Picasso. Hand numbered 41/100 lower left. Bloch 74; Baer 241; Mourlot XXI. Printed by Charlot Frères, Paris ...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 200...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at Paul Maenz Gallery in Cologne (Hari...

Keith Haring, Fill Your Head with Fun! Start Reading! 1988: Vintage original Keith Haring illustrated poster produced for the New York Public Library system in 1988 to promote litera...

Shepard Fairey A Hard Rain’s A-Gonna Fall Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. In this portrait inspired by Bob Dylan, Shepard Fairey reflects on the enduring cultural and political significance of one of the most influential songwriters of the 20th century. While acknowledging that Dylan’s vast catalog varies in resonance for him personally, Fairey emphasizes the extraordinary impact of Dylan’s strongest work—particularly his socially conscious and protest-oriented songs—which helped redefine the role of music as a vehicle for commentary, dissent, and cultural transformation. The print takes its title from Dylan’s seminal song A Hard Rain’s A-Gonna Fall, a composition Fairey regards as emblematic of art that is both timely and timeless. The lyrics—filled with surreal, apocalyptic, and symbolic imagery—serve as a poetic meditation on violence, injustice, fear, and moral urgency. For Fairey, Dylan’s ability to combine lyrical complexity with emotional immediacy positions him not only as a musician, but as a “people’s poet” whose work continues to shape public consciousness across generations. Visually, the composition is based on a photograph by Daniel Kramer, who documented Dylan extensively during his rapid rise to prominence in the mid-1960s. Fairey’s interpretation captures both Dylan’s self-possession and his well-known resistance to being cast as the singular “voice of a generation.” Through bold graphic stylization and restrained symbolism, the portrait pays tribute to Dylan’s lasting influence on music, political expression, and artistic independence. Bob Dylan portrait...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 23/54 Sheet Size: 29 5/8" x 8 3/4"...

John Baldessari, Sonnabend Gallery New York 1981: Rare early 1980s John Baldessari exhibition announcement published on the occasion of: "Shape Derived from Subject (Snake): Used as ...