John Atkinson Grimshaw Art

Victorian English Landscape, Haymaking near Hazlemere, Surrey A Victorian English harvesting landscape by John Seymour Adams captures the essence of a bygone era, offering more than...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

Late 19th century English landscape by Edwin Buttery. This exquisite late Victorian English landscape by Edwin Buttery is a masterful example of the period’s romanticized appreciatio...

F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...

Frances Mabel Hollams Signed and dated 1898 Picture Size: 29 x 37" (74 x 94cm) Framed Size: 38 x 46" (97 x 117cm) Oil on canvas Most of her work are painted beautifully on panel...

‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fin...

Henry Shayer (1787–1844) & Charles Shayer (1826–1914) Figures by a River in a Woodland Landscape, circa 1860 Oil on canvas Signed centre bottom ⸻ A beautifully executed mid-19th-c...

Edward Gentle (fl. late 19th century) Coming Out of Port Oil on artist’s board, signed lower right Circa 1870 A finely executed Victorian marine painting by the English maritime art...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

This stunning Lakeland landscape (one of a pair) by the artist Charles Leslie (1839–1886) is an original oil-on-canvas painting that is over 100 years old. Leslie was an English landscape painter during the Victorian era. Being from a family of painters and strongly influenced by his grandfather, Edward Williams, another successful landscape painter, Leslie learnt to paint during his formative years. He spent summers with his uncles where he would slave away painting landscape after landscape until he mastered his craft. He then went on to pioneer paintings...

‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...