David with the Head of Goliath, 19th Century Victorian Oil
By John Rogers Herbert
Located in London, GB
John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...
Oil
$2,160Sale Price|20% Off
H 21.5 in W 29 in D 1 in
Antique Scottish Highlands Oil Painting Sunset River Landscape with Mountains
By Francis E. Jamieson
Located in Cirencester, Gloucestershire
"Allan Water, Stirling" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 21.5 x 29 inches Fine quality antiqu...
Canvas, Oil
Arabian Rider at Dusk
By Adolf Schreyer
Located in Austin, TX
Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...
Canvas, Oil
$2,970
H 31 in W 45 in
Tranquil Victorian Pastoral Landscape Cattle in Meadows Children Fishing Stream
Located in Cirencester, Gloucestershire
The Young Anglers Attributed to William Underhill (act.1848-1870) British. oil on canvas, unsigned, framed framed: 31 x 45 inches canvas: 23.5 x 37 ...
Oil
$1,883Sale Price|20% Off
H 22.5 in W 32.5 in D 1 in
Antique Scottish Highlands Oil Painting Romantic Sunset Figure in Mountain Glen
Located in Cirencester, Gloucestershire
The Scottish Highlands signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 22.5 x 32.5 inches canvas: 20 x 30 inches provenance:...
Canvas, Oil
$1,869
H 22 in W 18.25 in
Figures outside Thatched Woodland Tavern English 19th Century Oil Painting
Located in Cirencester, Gloucestershire
Figures Outside Thatched Country Inn English Rural Genre Scene by English School (British, mid-19th century) oil on canvas, framed in an ornate gilt moulded frame Framed: 22 x 18.25...
Oil
$1,412Sale Price|20% Off
H 11 in W 15 in
Antique c.1800's Scottish Oil Highland Landscape Anglers Fishing Autumnal River
Located in Cirencester, Gloucestershire
Fishing the Highlands attributed to Julius Caesar Ibbetson (1759–1817) inscribed verso oil on wood panel, framed Framed: 11 x 15 inches panel: 8.5 x 13 inches Provenance: private c...
Oil
$3,323
H 26 in W 41.5 in D 2 in
Dutch River Scene, Mid-19th-Century English Oil Painting
Located in Cheltenham, GB
This charming mid-19th-century English oil painting, by an artist acutely aware of the works of Clarkson Frederick Stanfield RA RBA (1793-1867), depicts a Dutch river scene with vari...
Canvas, Oil
$6,370
H 21.5 in W 29.5 in D 2.5 in
19th Century landscape oil painting of a Sussex harvest field at sunset
By Walter Williams
Located in Nr Broadway, Worcestershire
Walter Williams British, (1834-1906) Harvest Field at Sunset, Clayton near Brighton Sussex Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inc...
Canvas, Oil
$3,877
H 37 in W 27 in D 3 in
'The Hunter waiting with his gun'. A framed antique oil painting on canvas
Located in St. Albans, GB
'The Hunter waiting with his gun'. Paul Beckert A framed antique oil painting on canvas. On the reverse is the original exhibition label. The painting shows a hunter with a cape w...
Oil
$1,641
H 12 in W 17 in
Figure Crossing a Shallow River with Distant Hills & Trees British Oil Landscape
Located in Cirencester, Gloucestershire
The Highland River Landscape British School, 19th century Signed with initials and dated 1861 oil on board, framed framed: 12 x 17 inches board: 9.5 x 14 inches Provenance: private c...
Oil
$1,938
H 13.5 in W 16.5 in
Signed 19th Century Scottish Oil Painting Figures Crossing Old Stone Bridge
Located in Cirencester, Gloucestershire
The Old Stone Bridge by Emma Landseer (later, 'Mrs D. McKenzie', working 1845-1860) signed oil on board, framed framed: 13.5 x 16.5 inches board : 11.5 x 15 inches Provenance: privat...
Oil
$2,624
H 17 in W 23 in
The River Thames Pangbourne Fine 19th Century English River Landscape Oil
Located in Cirencester, Gloucestershire
Afternoon By The River 'Near Pangbourne' (River Thames) Edward H. Niemann (act. 1863-1887) signed and indistinctly dated oil on canvas, framed framed: 17 x 23 inches canvas: 10 x 1...
Oil
Sold
H 37.25 in W 28 in
Magnificent C19th Oil Painting of Babylonian Nobleman with a Hunting Cheetah
By John Rogers Herbert
Located in London, GB
John Rogers Herbert TA, HRI (1810-1890) The Hunting Cheetah Signed, inscribed and dated ‘J.R. Herbert R.A./Paris 1853’ (lower left) Oil on canvas 37 ¼ x 28 inches, 47 1/4 x 38 inches inc. frame In the original frame Provenance Thomas Agndew & Sons Sir Edward Bates, Gyrn Castle, North Wales This striking portrait shows a Babylonian nobleman returning from a hunting expedition with his cheetah and its catch - a gazelle - which, from its distinctly curved horns and dark body stripe, can be identified as a Thomson’s Gazelle. The painting is important in a historical context as it dates from the time when archaeological findings, and their dissemination around the Western world, ensured that public fascination with Mesopotamia reached its height. Herbert was a painter of portraits, historical genre and landscapes. His early work showed a preponderance of subjects derived from Italian history, following his visit to that country in 1836. These early compositions tend to be characterised by high drama and contraposto figurative groups, such as Pirates of Istria carrying off the Brides of Venice (1839). However during the 1830s he made contact with the Nazarenes, a German group of painters who cultivated a sharp-edged, flat style. Herbert’s aesthetic became more Nazarence in tendency (with its juxtaposition of decorative surfaces, The Hunting Cheetah, dated 1853, demonstrates the longevity of their influence). 1840 proved a seminal year for Herbert personally as he converted to Catholicism, much as a result of his friendship with the architect and man of letters Augustus Welby Pugin (1810-1852). It was Pugin who created the magnificent frame in which The Hunting Cheetah is presented. In the ensuring decades Herbert concentrated on religious subjects and submitted Pope Gregory Teaching the Boys to Sing (1846) as his Royal Academy diploma work. The same year he was one of the selection of artists chosen to decorate the interior of the New Palace of Westminster, and his contributions included nine Old Testament scenes...
Oil