Jon Doran More Art

A serene plein air painting from Nelson White, featuring his recognizable impasto whitecaps. A deep blue sea meets a lilac-brown horizon, and ascends back into the blue sky, adorned ...

A beautifully detailed late 17th or early 18th century Dutch or Flemish landscape with cows grazing in the water, goats, dogs, and other animals near the water’s edge, under the watchful eye of the herdsmen, on a backdrop of rolling hills and trees. Oil on wood panel, unsigned, and housed in a Rudolph...

This exquisite late seventeenth-century portrait is a beautifully preserved example of the small-scale courtly cabinet likeness: intimate in format, jewel-like in finish, and unusual...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

A close study of the warm September waves on Long Island. Framed Dimensions: 9.5 x 16.5 inches Antique custom wood frame - made in Italy Top-loop hardware Artist Bio Nelson H. Whi...

This bright painting, done en plein air, radiates the feeling of summer. Small sailboats float daintily atop electric blue water while the surrounding land looks completely empty of ...

A deeply impressionistic plein air painting of the beach and its flora. Clouds along the horizon, waves crashing on the beach. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Mar...

A fine American School naive folk art portrait of a man in a black tuxedo, oil on panel, monogrammed lower right AS, signed illegibly on verso “Alexande...

Dalessio makes the sea sparkle in this plein air depiction of the coast of Portugal. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Marc Dalessio was born in 1972 in Los Angele...

This signed oil on panel landscape painting by Francis Kughler measuring 28.5" x 40 x 1.5" features two rows of trees during the colder weather. In the center of the composition is a...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Clones of Clones" depicts a a city at the foot of a mountain ranged. This painting is rendered in about nine variations of gray, the darkest in the foreground is a few steps from bl...