Jonathan Moss More Art

Two , 100x100cm, acrylic, oil, canvas

Painterly bands of bright lemon, aqua, white and verdant green point to beach, sand and sky in this modernist triptych by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver in 1937, Sorensen studied at UBC and the Vancouver School of Art under Arthur Erickson...

Signs of Memory" is a one-of-a-kind abstract artwork by Italian artist Marilina Marchica, created in 2019. This mixed media painting on canvas (30 x 40 x 2 cm) explores the poetic re...

Contemporary colorful pastel abstract painting by local Houston artist Benji Stiles. The painting depicts light green, peach, dark deep blue, and a bright red shape against a light green and gray background. Unframed but framing options are available. Signed, titled, and dated by the artist at the back. Artist Biography: Born in New Orleans, Robert Benjamin Stiles (Benji) is a multidisciplinary artist and educator who lives and works in Houston. He holds a B.A. from the University of St. Thomas, with a major in Art History and a minor in Studio Arts, and is currently an MFA candidate at MICA (Maryland Institute College of Art). His work ranges from non-representational painting...

In this small and delicate painting, the combination of paint, pastel and paper collage, create a strong, abstracted composition. Pink and black pop from a vibrant background of inte...

Upward movement, 110x80cm

Look back , 100x100cm, acrylic, oil, canvas

When you go with the flow

Dance, 100x100cm, acrylic, oil, canvas

Triptych "Bouquet of Flowers", 80x120 cm, oil on canvas

Eagle pose, 80x110cm

Upward movement, 110x80cm

Composition 7777, 2018., 95x100 cm Abstract composition. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Bouquet of Flowers, 80x135 cm, oil on canvas

"Looking for faith at the party" stems from finding pattern and rhythm in the world around him. Giles' paintings begin from finding places and spaces between words and lines in the text of "One Hundred Years of Solitude...