Jonathan Taylor Figurative Paintings

Signed and dated figures in interior oil on canvas by French post impressionist painter Pierre De Belay. The work depicts a gentleman in a black morning suit ...

AFFECTION Size: 41 x 33 cm Oil on board A tender and captivating mid-century figurative painting, executed in oil onto board and dated 1944. A female figure in a flowing red dress ...

LONE Oil on Board Size: 52 x 44.5 cm (including frame) A very well done mid-century modernist portrait composition, executed in oil onto board. A single seated figure sits alone, l...

An outstanding oil painting depicitng 3 figures seated around a table with flower vase. The bright colors and quick brush strokes are what makes this piece so attractive and desirabl...

Jordi Curós Ventura (1930-2007) - Woman in rocking chair - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish paint...

Dai Xiangwen was born in Hunan in 1991 and graduated from the Academy of Fine Arts of Jianghan University, He is a member of China Artists Association, China Designers Association, a painter of Li Keran...

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) B...

Jordi Curós Ventura (1930-2007) - Woman Oil on canvas. Work measurements 77x79 cm. Frame size 81x83 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He t...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. Thes...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...