Jules Gaillepand Art

This original 1965 mid-century oil painting depicts a charming European village cityscape rendered in a Post-Impressionist style, featuring layered rooftops, hillside architecture, a...

A quintessentially English scene with a magnificent oak tree towering in the foreground of this rolling landscape. Figures can be made out clambering over the haycart at the edge of ...

A striking mid-century modern abstract figurative oil on canvas painting by British artist George Cecil Carter, dating to the 1950s. The composition blends figure and abstraction, cr...

A luminous 1933 modernist landscape by John Edward Thompson titled Early Spring (Thompson’s Studio), depicting the exterior of the artist’s Denver studio surrounded by the quiet emer...

A serene mid-century California landscape by Jon Blanchette titled Barns in Soquel, depicting a quiet rural farm scene in Soquel, California with clustered barns, open fields, and so...

A luminous American Impressionist mountain landscape by Ferdinand Kaufmann depicting a sunlit river cutting through a rugged canyon framed by forested slopes and distant peaks. The c...

A luminous 1968 Southwestern oil painting depicting After Storm, Taos–Questa Road, capturing the dramatic stillness of the New Mexico high desert immediately following a passing stor...

Represented by George Billis Gallery, NYC & LA --A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the validity of the canon, paintings of the old masters on the walls of museums like the Met, the Louvre, Rijks museum still have a certain cache. They're revered not just for their technique but because they enshrine our collective past experience. Of course, it's a selected past that gets validated. Conspicuously absent to me as a gay man...

18th-Century Romantic Landscape Painting – Alpine Scene Artist: Unidentified Period: 18th Century Medium: Oil on Canvas Dimensions: Framed: 38 x 52 cm Artwork: 29 x 41 cm No signatu...

signed on the lower left The painting can be categorised in the tradition of New Objectivity. The picture shows a real scene, the woman depicted stares into space with a serious and...

Across Five Mile by Betty Ball is part of her Land and Sea series. It is Oil on Linen, 30x30. It is framed to 31.5 x 31.5 It is $2,675. It is a beautiful landscape and waterscape ...

A historically significant 1942 American modernist oil painting by Martyl Schweig Langsdorf depicting Victor, Colorado, a high-altitude mining ghost town nestled within the Rocky Mountains. The composition captures the stark beauty and atmospheric stillness of a fading Western settlement, where abandoned structures, rugged terrain, and expansive mountain forms merge into a powerful narrative landscape. Painted in oil on masonite, the work features Schweig’s expressive plein-air brushwork and a richly grounded palette of deep greens, muted golds, earthy browns, and atmospheric grays. The paint handling is both fluid and structured, emphasizing light, elevation, and the emotional weight of the post–Gold Rush landscape rather than strict topographical accuracy. This early American modernist Western painting carries strong narrative presence while remaining visually balanced, making it highly effective in both traditional interiors and more contemporary, curated environments. Created in 1942 during Schweig’s Colorado painting trips with fellow artist Adolph Dehn...