Julie Gudger Paintings

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a respo...

Tactile #11 is an original mixed media painting. I created this modern art piece using plaster, paper and black acrylic paints. Perfect for the modern contemporary home.

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing expose his work abroad, including France, Germany, Canada and USA. "Agora Gallery" in New York, writes about his "strong bold colors figures populate the paintings of JParames. strange characters evolve in mysterious scenes, triggering a clash of primary colors. This type of palette and composition, resemble the latest works of Matisse and Miró, "quoted in the prestigious newspaper Express. "The Magical Colors...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

Untitled, 1994 (SFP94-36) is an acrylic painting on canvas, from Francis' 'Last Works' collection. The canvas is 18 x 22 inches and stamped verso with the Sam Francis estate stamp. F...

In "Shattered Atlas: The Modern Burden," the artist Masri presents a 40" x 30" mixed media canvas that epitomizes 'Shattered Cubism,' a style that fragments reality into geometric fo...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

Untitled, 1994 (SFP94-6) is an acrylic painting on canvas, laid on board, from Francis' 'Last Works' collection. The canvas is 12.5 x 16 inches and stamped verso with the Sam Francis...

A large figurative abstract, acrylic and oil on canvas over panel painting execute in purples, blacks, reds, oranges and greens by Annie Lapin. Signed verso, "Annie Lapin".

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...