Kent Monkman Art

ALBERT WATSON (*1942, Scotland) Mick Jagger/Leopard 1992/2011 Chromogenic print Image 195,6 x 152,4 cm (77 x 60 in.) Sheet 238,7 x 177,8 cm (94 x 70 in.) Frame 245 x 185,6 x 6 cm (96 1/2 x 73 1/8 x 2 3/8 in.) Edition of 5; Ed. no. 5/5 (from a sold out edition) Albert Watson (*1942, Scotland) is a Scottish photographer well known for his fashion, celebrity, and art photography, having shot over 200 Vogue and 40 Rolling Stone covers since the mid-1970s. His photographs are signature, classical, and bold, and in our world of manipulation, Watson prefers the enlargers and the trays; an artist who greatly enriches our perception with his unique photographic view. Photo District News named Watson one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. Watson shared intimate moments about shooting celebrities like Johnny Depp, 50 Cent and Clint Eastwood and dove into the history behind famous shots like the double exposure of Mick Jagger and the leopard that Watson shot by chance. "The leopard was all over Mick so we had to build a glass partition...

ALBERT WATSON (*1942, Scotland) Christy Turlington, New York City 1990 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5, plus 2 AP; AP1 print only Albert Watson (*1942, ...

I met this stunning Rendille moran (warrior) in the shade of trees near the base of Mount Nyiru. Spring waters, flowing from the huge mountain plateau above, ensure year-round greenery in this area of great aridity. The morans of both the Rendille and the Samburu wear beautifully ornate necklaces. Each design is specific to warriors within a clan and to a time in history (the ‘age-set’ that a young man enters after circumcision). The necklace thus identities his group and places him in the chronology of his tribe. A tribal elder can look at a warrior’s necklace...

I met this young married Samburu in the middle of a busy market in western Kenya. She was with a group of young women browsing the wooden stalls dotted across the dusty red earth in the lowlands of the Matthew’s Range. In Samburu communities young men spend years as warriors – a wandering lifestyle which make it impossible for them to marry. Instead they take girlfriends and give them beads and necklaces to indicate their relationship. Samburu girls adore receiving these presents and adorn themselves in more and more necklaces. The girl in this picture, although now married to an elder, still shows her beads from the time of being promised to a warrior: they are the band of 8 or so thin necklaces...

A young Fulani girl in Ethiopia. The Fulani have a nomadic lifestyle that sees them moving across the Sahel from Mali in the West to Ethiopia in the East. John Kenny’s work is all...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 489...

A picture of joy. KhoiSan bushman from Namibia John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and...

This Himba elder was at a huge funeral gathering in the western Kaokoland between the largest town of the area, Opuwo, and Otjitando. The area was flat, and very dry, with a strong wind constantly whipping up fine, dry dust and flinging it across the landscape. The funeral was quite different in feel. People were engaged in deep, animated conversations, they smiled and laughed a lot in more of a festival atmosphere than one of sadness. Long parted friends came together to celebrate the life of the man who had passed – a man of huge popularity and social status. The funeral was to last a week and the crowd was swelling each day. There were huge animal carcasses being cooked on fires tended carefully by younger Himba men. I watched from a distance, concerned at the need for privacy at such a gathering, but a number of groups waved for me to come over. The elder maintained a natural authority within his small circle, and I noticed that others spoke to him with deference. In the past this man had hunted and killed desert lions. He then pointed to a large gouge on the man’s thigh – the results of one of these encounters. The lower necklace on this man are made of the soft ears of lambs. The small metal spear...

A picture of joy. KhoiSan bushman from Namibia John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and...

A young man of the Nuer culture with distinctive scarification on his forehead. The photograph was taken in Ethiopia but like many of the Nuer he had been displaced from his home in...

Himba Siblings in Namibia John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects in their ...

I met this remarkable Samburu elder at the livestock market near to Wamba, a town in the heart of the Samburu district. It is a ‘Samburu Only’ event, where the social aspect of meeti...