Leo Bates Prints and Multiples

Ian Tyson Diversions XI - 1970 Screen Print 16'' x 15'' inches Edition: signed in pencil and marked 23/150 Ian Tyson, British painter, printmaker and book artist, was born in Wallas...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Color screenprint, color pencil on heavy white wove paper, 1971. 840x595 mm; 33 1/4×23 1/2 inches (sheet), full margins. Signed and numbered 47/175 in pencil, lower margin. Publishe...

This work is NOT to be confused with a separate poster edition, which is on different quality paper and bears a printed signature. This is the much-coveted HAND SIGNED and numbered edition. Josef Albers Large: Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 63/200 in graphite pencil on the front 40 inches (vertical) × 25 1/2 inches (horizontal) Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered 63/200 - silkscreen from the Deluxe, hand signed edition on Schollers hammer paper (aside from the unsigned regular edition of 4000 on wove paper) Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman, Inc., New Haven, for Edition Olympia 72 By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipation of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a powerful symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...

Sarah Morris (American, born 1967) Total Lunar Eclipse, 2012 Medium: Screenprint in colors Dimensions: 50.2 × 50.2 cm (19 3/4 × 19 3/4 in) Edition of 108: Hand-signed and numbered Co...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Sol LeWitt Untitled geometric abstraction for Ugo Ferranti Gallery Exhibition Invitation, Rome, Italy, 1980 Rare vintage silkscreen poster for Ugo Ferranti in Rome. Signed by Sol LeW...

Anne Youkeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x ...

Challenger's work is a powerful interplay of op-art and constructivism. His graphic work evokes the counter- play of shapes, forms and color of his predecessors, including Albers an...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Emily Joyce The Third of May, Blue, 2013 2 color screenprint on BFK Rives 25 x 18 inches edition of 10, signed and numbered (printed by Gray Area Print, Los Angeles) there ar...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...