Leon Herbo Art

This painting features vibrant hues of yellow, purple, green and pink. Chattanooga-based artist Christina Renfer Vogel holds an MFA from the Ma...

Print Albert Anker "Der Quacksalber", Laque on Panel, Mid-Century, Framed Title Print on Panel Albert Anker "Der Quacksalber", Mid-Century, Framed, Switzerland Medium Print on pane...

Attributed to Hendrik Hollander (1823-1884). This exquisite example of 19th-century European genre painting portrays a noble couple engaged in reading within a luxurious interior sce...

Dimensions with frame: 44 x 57 x 5 cm. Signed and dated "Arthur 48" in the lower left corner. A striking and modernist still life depicting three freshly caught fish arranged on a white ceramic platter beside a simple kitchen knife. Executed with confident, textured brushwork and a restrained palette, the composition transforms an everyday subject into a powerful study of form, color, and materiality. The artist emphasizes the tactile qualities of the fish through thick impasto and nuanced earthy tones, contrasting beautifully against the luminous white tablecloth and the deep, almost abstract dark background. The dynamic placement of the fish creates a subtle rhythm across the composition, while the pared-down setting recalls the directness and honesty of early 20th-century European still life painting. Influenced by Post-Impressionist and modern realist traditions, the work balances painterly spontaneity with careful observation. The expressive handling of paint and simplified composition evoke the spirit of French and Continental modernist still lifes of the early to mid-20th century. An elegant and sophisticated still life ideal for collectors of European modernism, culinary subjects, and expressive figurative painting. still life painting, fish still life, modernist still life, Post-Impressionist painting, European still life, fish painting, culinary still life, kitchen still life, French still life painting, School of Paris, expressionist still life, oil on canvas still life, impasto painting, rustic still life, seafood painting, market fish painting, tabletop still life, knife in still life, modern European painting, figurative still life, early modernism, painterly still life, collectible still life art, Continental painting, expressive brushwork, white plate still life, food still life painting...

Italian painter (18th century) - Cronus. 90.5 x 106 cm. Oil on canvas, unframed (not signed). The painting depicts Cronus, Greek deity of time and the harvest, in a composition of...

Signed oil on canvas riverscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of a meandering river. There are two trees on the bank to the r...

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...

Circle of Jusepe de Ribera (Xàtiva 1591 - Naples 1652) - Saint Joseph. 108 x 80 cm (without frame) - 123 x 95 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not...

Oil on canvas. Signed upper right. A characteristic work by Henner, renowned for his masterful handling of sfumato and chiaroscuro to evoke atmosphere and depth. His subtle transiti...

Fruit On The Table Artist signed lower right, 22K Gold Motyka custom made frame, canvas size 30x24 frame 38x32. Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract constructionists, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as laid down by the European Cubists. Sobel’s work was selected for the First Exhibit of Modern Art Museum Krakow in 1948-49. Judith Sobel emigrated to the newly found Israel where she lived for five years, becoming very active in Israel’s emerging art world. Her work was collected and exhibited by the major art museums of Israel including the Museum of Modern Art at Haifa; her art was regularly shown in the Israeli galleries. In 1956, Sobel came to New York on a scholarship, and before that she lived in France for two years. The same year she received the First Prize at the Exhibition in the Saks...

This warm portrait looks like it could have been painted by Corot. Francis Luis Mora paints in that tradition. It's a small painting that invites the viewer to look closer. The art...

Small, sun-like fruits glow among the branches, creating a quiet sense of warmth and vitality. Set against a dense, textured orange field, the mandarin tree radiates light and inner ...