Lin Hongdan Interior Paintings

An oil on canvas painting of a woman sitting in front of a mirror, tending to her hair. Window open behind her admits natural light. Ben Fenske (b. 1978) although a native of Minnes...

"Water, Roses, Window, Table" is a bright and airy contemporary impressionist scene. A large oil painting of an open window's view to the outdoors, painted from an interior of the artist's home in Tuscany. Situated in the kitchen, facing the window, the walls and room appear dark, as they are backlit from the bright daylight streaming in. A small glass vase of roses sit centrally in our view, on the table's surface, glowing with blue light. A small tumbler, or glass of water, sits in the foreground, almost lost within Fenske's loose, wild brushstrokes. Urgent, loose brushstrokes connote impressionism, and bring to mind modern...

This charming painting depicts a group of gentlemen gathered around a kitchen table and admiring an English Setter. The snowy rooftops, just visible from the kitchen window, combined with the lit fire and holly decorating the picture frames in the room, implies that this is a Christmas scene. It also appears that the gentlemen have just returned from a fox hunt, and are now warming themselves, drinking port and smoking long pipes by the fire. Five men — three gathered behind the table and two standing in front — are identically dressed in long black riding boots...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Oil on canvas, unframed (not signed). The painting depicts Saint Jerome recumbent, wrapped in a red cloak, in a mo...

Antique French landscape oil painting. Sun dappled forest path. Oil on canvas. Framed. Measuring: 18 by 21 inches overall, and 13 by 16 painting alone. Excellent condition, ready to...

Stunning signed and dated impressionist oil on canvas figure in interior by Belgian painter Leon De Smet. The work depicts a woman in an incredibly ornate room with her back to the a...

Jim Beckner's (US based) "Cruise Room #8" is an original, handmade oil painting depicting a Denver landmark born the day after the repeal in 1933. The Cruise Room is Denver's longest...

A whimsical oil painting depicting a Venetian Powder Room Scene with Figures getting ready for the masquerade. A truly intimate scene with a ornate mirror, flowers in a vase and whit...

The painting with rainy Manhattan painting is a great and stylish cityscape - the play of dark and light shades is captured professionally and looks great in the interior of an office or your home. The picture is author's and original. It's signed on the front and back. The edges of the picture are painted. Materials used: oil on canvas, supported wooden frame. Dimensions: 19,7x27,65 in. Packaging: I pack the paintings in special paper, then I wrap them with bubble wrap, and finally I cover artworks with strong wooden sheets. Nikolay Dmitriev...

Mid Century Still Life Painting of Black Cat and Vase, Signed, 1940s Charming mid century still life of fruit, vase and black cat by Monterey ...