Luigi Serafini Furniture

Striking set of four vintage chairs with a bold, sculptural design, attributed to iconic Milanese designer Luigi Gorgoni for Roche Bobois in the 1970s. Crafted with a solid elm wood...

Small Mid-Century Murano Sommerso Glass Ashtray - Italy, 1960s. ''Sommerso'' is a technique developed in Murano in the 1930s and which became very popular in the 1950s-60s. The resul...

Gorgeous hand blown Murano art glass piece with Sommerso and bullicante techniques. A beautiful organic shaped bowl, catchall or centrepiece, Venice, Murano, Italy, 1970s. Colors are...

A striking example of late 20th-century Venetian glass, this rectangular Murano glass bowl is attributed to the work of renowned glass maestro Alessandro Mandruzzato and dates to the...

Gorgeous hand-blown Murano art glass bowl executed in the celebrated Sommerso and Bullicante techniques, Italy, 1980s. This sculptural piece features an elegant organic form with smo...

This is a beautiful set of six colorful Murano glass tumblers made in Italy in the 1980s. These are inspired by Fulvio Bianconi and Paolo Venini tumblers...

The Clesitera glass vase with pendant, was originally designed by Ettore Sottsass in 1986. The vase is blown glass, and signed on the base, for further information please see authent...

Euphrates vase in porcelain by Ettore Sottsass for Memphis Milano collection Additional information: Porcelain vase. Collection: Memphis Milano Designer: Ettore Sottsass Year:...

Article: Murano glass ash tray in XL dimensions Origin: Murano, Italy Producer: LUIGI Mandruzzato Decade: 1970s This original vintage xxl glass ash tray bowl element was...

The Alcor Glass Vase was designed by Ettore Sottsass in 1983 for Memphis. Signed on the base. Ettore Sottsass was born in Innsbruck in 1917. In 1939 he graduated in architecture at...

Ettore Sottsass spent his career rejecting the idea that good design had to be quiet, and the Mandarin chair is him saying so out loud. Sculptural enameled steel arms curve dramatica...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...