Manfred Bingler Prints and Multiples

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. AP edition of 450. Artwork is in excellent condition. Certificate of authenticity included...

Hand signed and numbered by the artist. Artwork image size 22 x 27 inches. Custom framed as pictured. Frame size approx. 32 x 37 inches. Edition of 300. Artwork is in excellent ...

Screenprint in colors with diamond dust on Arches Aquarelle paper. Hand signed and numbered by the artist on verso. Printed by Rupert Jasen Smith, published by the artist, New York....

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 9 x 10 inches. Custom framed as pictured. Frame size...

This is an exclusive handprinted limited edition cyanotype of gorgeous rolling clouds. Details: + Title: Dense Rolling Clouds + Year: 2025 + Edition Size: 100 + Stamped and Certifi...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Artist: Alex Katz (American, b. 1927) Title: Bicycle Rider Medium: Seventeen-color Lithograph on Arches Cover Paper Year: 1982 Sheet Size: 22 x 30 inches (55.9 x 76.2 cm) Edition: 4/...

Offered here is a compelling later impression of one of Rembrandt’s most intimate biblical subjects, Christ Between His Parents, Returning from the Temple. Executed originally in 1654, the composition captures the youthful Christ walking between Mary and Joseph following the episode in Jerusalem, rendered with remarkable psychological nuance and economy of line. This impression was printed in the early nineteenth century from Rembrandt’s original copperplate and is accompanied by a historical letter attesting to its authenticity and dating. The letter states in part: “In my opinion and to the best of my knowledge, the etching presented to me by Antonio’s Collection and entitled Rembrandt E van RIJM is an authentic Rembrandt etching made from the plates owned by the Museum of Amsterdam. It is probably an etching third state and would date approximately 1820.” The reference to plates held by the Rijksmuseum situates this impression within the long tradition of posthumous printings drawn from Rembrandt’s original matrices—objects that have been preserved, studied, and occasionally re-inked for carefully supervised editions. With its rich burr, velvety shadows, and expressive linear handling, this impression remains faithful to the master’s conception while offering collectors the opportunity to acquire an authentic Rembrandt etching from a later, historically significant printing. Like many of Rembrandt’s etched works, Christ Between His Parents, Returning from the Temple exists in several states, meaning the copperplate was altered over time as the artist reworked details, added lines, or strengthened passages of shadow. First State (1654) The earliest impressions are prized for their freshness and painterly light effects, with delicate burr and subtle modeling in the figures’ garments and faces. These are rare and typically reside in museum collections. Subsequent States Later states reflect adjustments to shading, contours, and background architecture—often deepening contrasts or clarifying forms as Rembrandt refined the narrative focus of the scene. Third State (circa 1820) By the early nineteenth century, impressions were occasionally pulled from the preserved original plates, producing prints that retain the fully developed image while often showing slightly firmer lines and less burr than seventeenth-century impressions. Such examples are historically important, documenting the continued reverence for Rembrandt’s graphic work and the custodial role of European institutions in safeguarding his plates. The accompanying letter provides valuable documentary support, linking this impression to early twentieth-century scholarship and reinforcing its status as an authentic pull from Rembrandt’s plate...

An encaustic (pigmented beeswax) monotype on Kawashi paper. The monotype may be oriented vertically or horizontally. Price shown is the unframed price. Signed and dated on recto. La...

Abstract geometric color composition Artist: Eve Sonneman Lithograph, 1999 Image Size 25 x 22" Hand signed, dated,and numbered from limited edition. This is from a show at Sidney J...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...