Marcel Blairat Art

HENRY MOORE, RA, RWS (1831-1895) Evening, East Coast Signed and dated 1892; signed and inscribed with title and the artist’s address on a label attached to the backboard Watercolou...

JOSEPH ARTHUR PALLISER SEVERN (1842-1931) Sun Effect - above Waldney Scar, Coniston Signed and dated l.l.: Arthur Severn/1906; signed and inscribed with title and the artist’s addr...

ALFRED WILLIAM HUNT, RWS (1830-1896) Windsor Castle - Morning Watercolour heightened with scratching out (not signed) 26 by 36.5 cm., 10 ¼ by 14 ¼ in. (frame size 45 by 55.5 cm., ...

HELEN ALLINGHAM, RWS (1848-1926) The Woodland Path Signed Watercolour on paper 27 by 20 cm., 10 ¾ by 8 in. (frame size 47 by 42 cm., 18 ½ by 16 ½ in...

HARRY MORLEY, ARA, RWS (1881-1943) The Romany Camp Signed and dated 1927 Watercolour and bodycolour, framed 36.5 by 52cm., 14 ¼ by 20 ½ in. (frame size 60.5 by 75 cm., 23 ¾ by 29...

GEORGE SHERINGHAM (1884-1937) The War Birds Signed and inscribed with title on a label on the backboard Watercolour and gold paint on silk, semi circle shape, in artist’s decorated mount Framed 24 by 47.5 cm., 9 ½ by 18 ¾ in. (frame size 46 by 71 cm., 18 by 28 in.) Exhibited: London, Leicester Galleries. Sheringham was born in London, the son of the Rector of Christ Church, Marylebone. He studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris, holding his first one-man exhibition in Paris in 1905. On his return to London he initially supported himself with poster designs and teaching. Before and during World War I he concentrated much of his artistic energy on painting fan leaves, often on silk. His first exhibition of fan designs and silk panels was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. Sheringham also worked as an illustrator, providing illustrations for books by Max Beerbohm and Cyrus MacMillan and others. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

GEORGE PRICE BOYCE, RWS (1826-1897) A Little Wooded Valley in Surrey Signed and dated l.l.: G P Boyce 1873.4 Watercolour on paper Framed in oak reeded f...

JOSEPH ARTHUR POWELL (1876-1961) A Watermill Watercolour Unframed 38 by 55 cm., 15 by 21 ¾ in. (mount size 54 by 70 cm., 21 ¼ by 27 ½ in.) Born in London he was the son of the su...

JAMES KERR-LAWSON (1864-1939) The Piazza Signed l.l.: J Kerr Lawson Watercolour over traces of pencil Unframed, in conservation mount only 13.5 by 20 cm....

WILLIAM BELL SCOTT (British 1811-1890) Winter Ploughing Signed with initials and dated l.r.: WBS 1885 Watercolour with scratching out on paper 12 by 17 cm., 4 ¾ by 6 ¾ in. (frame size 31 by 35.5 cm., 12 ¼ by 14 in.) Provenance: Agnews, London William Bell Scott was the son of Robert Scott, an Edinburgh engraver and brother of the artist David Scott. He was born at St Leonard’s, Edinburgh and studied under his father, and at the Trustees’ Academy before leaving for London in 1837. After entering for the Westminster Hall Competition he was appointed as master of the Government School of Design in Newcastle in 1843. Rossetti wrote to him in 1847 praising one of his poems, the two became close friends and Scott contributed several poems to The Germ...

HARRY CARLETON ATTWOOD (1907-1985) Resurrection – Mural Design for Eltham Hall Signed with initials, dated and inscribed l.c.: Designs for Eltham Hall / 17/4/36 / HCA Watercolour ...

LEDA GRANT (1886-1975) Muriwai, Auckland Signed; inscribed with title on the reverse Watercolour and pen and ink, unframed 26.5 by 37.5 cm., 10 ½ by 14 ¾ in. (mount size 41 by 52 ...