Martha Rea Baker Paintings

"Stormy air" 100x120 cm, acrylic on canvas, gold leaf

Abstract painting with green encaustic and light yellow flower petals on wood panel "Wallpaper 2" made by Allyson Levy in 2020 encaustic and flower petals on wood panel, 24 x 24 x 2 ...

Amit Kalla - Untitled - 42 x 48 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Amit Kalla - Untitled - 48 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Maura Segal’s abstract works conjure a delicate simplicity. Blocks of color languidly splay behind thin meandering lines and freeform fluid curves. Yet upon closer investigation, the...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Born in Beacon, New York, returning exhibitor Laura Moriarty received training through an apprenticeship in hand papermaking (1986-1990), and is otherwise self-taught. Since 1992, he...

Heterochromia, 80x80 cm

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Rinat Goren (Israeli, American, born 1964) "Almost There" 2021 Encaustic paint and paper on cradled wood panel The artist signed the bottom right corner of the painting. “Almost There” is a luminous abstract work created with encaustic and paper on a cradled wood panel. The composition is anchored by a radiant golden field layered with softened geometric forms, linear markings, and a flowing turquoise passage that guides the eye across the surface. Goren’s use of encaustic allows for rich translucency and depth, with molten wax binding pigment and paper into a tactile, atmospheric surface. Repeating rounded shapes and subtle linear rhythms suggest movement, mapping, and quiet progression, while the contrast between warm yellows and cool blues creates a sense of balance and anticipation. The title reflects this visual language, evoking transition, momentum, and the emotional space between arrival and journey. Blending abstraction with a meditative sense of structure, “Almost There” exemplifies Goren’s refined approach to encaustic painting, where color, texture, and process converge. The work is well-suited for collectors drawn to contemporary abstraction, material-driven practice, and pieces that offer both visual warmth and conceptual subtlety. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing in the U.S. for most of her life, Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...