Martta Węg Paintings

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Evening Calm, Fishing Boats at Anchor is a painting Per Wickenberg, capturing a serene twilight along a sheltered coast. Fishing boats rest quietly at anchor, their sails lowered and...

This refined harbour scene from Le Havre presents a quiet yet vivid impression of a working port along the northern coast of France. Alfred Bergström constructs the composition from ...

Arthur Parton Cows in a Stream, 1880 Signed and dated lower left Oil on canvas 20 x 16 inches Along with his younger brother Ernest Parton, Arthur Parton was a prominent figure wit...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Kate S. Brodie English Landscape with Horses and Figures Oil on canvas Circa 1880 Signed lower right Original antique frame A finely observed Victorian English landscape by Kate S. ...

Marcel Dyf was mostly known for his effortless way to captures the times of the people. Executing most works on-site, he truly was able to absorb the energy and the day, movement of ...

Bucks County Farm in Winter is a figurative landscape by Pennsylvania Folk Art painter, Jean Halter. The 12" x 16" oil on board painting is framed and signed "Jean Halter" in the lower right. Jean Harris Halter was born in 1916 and spent her youth between Thornburg, Pennsylvania where her father oversaw Harris plumbing, and Camden, South Carolina, where they also had a home. She studied art, among other things, in Converse College. In 1939 she married Robert Halter, a musician with a traveling big band, which he quit soon after marrying. While he was gone for three years with the Signal Corps in the South Pacific, Jean took care of their two little daughters, their kennel of Pulis, and began to paint antique chairs...

Frank Usher de Voll Paris Street Scene, circa 1910 Signed lower right Oil on canvas 21 x 27 1/2 inches Frederick Usher De Voll was an American la...

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...

Albert Heckman Woodstock Landscape Oil on board 10 x 8 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art ...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...