Michel Victor Acier Furniture

Exceptional 19th Century Porcelain Clock Case: Rectangular base plate with gold edges and a gold-embossed wave frieze on the sides and ro...

Excellent Meissen porcelain figure of the 19th century: A winged cupid, covered only by a large, intricately woven cloth, his curls tamed by a headband, standing on a column-shaped pedestal on a square plinth and pouring a cooling liquid from a small bottle onto two flaming hearts bedded...

The three-sided base of the shaft rises on three sturdy, gold-embellished rocaille feet with gold-framed rocaille panels with fine, coloured bouquet painting, surrounded by abundant,...

A fine old or antique porcelain figurine. By the Meissen Porcelain Manufactory. After the original model by Michel Victor Acier ca. 1775 From the 'Motto Child' series. Depicting ...

Excellent Meissen porcelain group of the 19th century. Very large depiction of the allegory of agriculture grouped around an apple tree: in the foreground an elderly man chopping wood...

Excellent Meissen porcelain group of the 19th century: Depiction of the goddess Kybele, the great Phrygian mother of the gods 'Magna Mater', seated with a mural crown on a reclining lion, holding a cornucopia on her lap, symbol of wealth and abundance, behind her standing on a rock a female cupid presenting a key, surrounded by further three cupids with flowers, crops and rake, symbolising agriculture and the cultivation of the earth. The group is based on an irregular earth and rock base with a gold rim. Kybele usually wears a crown in the shape of a city wall on her head as an attribute and is depicted in castles, monasteries and baroque gardens, especially in the 18th century. In cycles showing the four elements, she embodies the earth. That is why she is often presented with the sun and moon to her right and left. In the other hand she may carry a staff of office, a sceptre, as a symbol of rulership complementing the mural crown. In the other hand she carries a small kettledrum, which may symbolise the noise of her madness or the festivities held in her honour. Often Kybele rides on a lion or a pair of lions, or she rides on a chariot drawn by two lions. Spikes of corn, poppies, flowers or fruit in bowls may also be shown. wikipwdia. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Exceptional Meissen porcelain group of the 19th century: Young mother in elaborate Rococo house dress: Ruched wide long skirt, bodice, fitted frilled coat with hood, the upswept hair covered by a high voluminous bonnet with ruched hem and bows, sitting on a splendid Louis XVI style bench and placing her right foot on a stool, beside her the happy spouse in frock coat, waistcoat over frilled shirt and knee breeches with white stockings, both embracing each other at the back and looking down at the baby wrapped in cloth and lying half naked on a cushion on both their laps, the father guiding his right hand to the mother's chin in an affectionate gesture. Behind them a little boy in a playsuit and hat, holding a bowl and blowing soap bubbles with a tube. The group is based on an oval natural base with sculpted flowers and foliage and gold heightened lateral frieze decoration. Particularly elaborate, detailed design and staffage. Designed by MICHAEL VICTOR ACIER (1736 - 1799) Skilled as a sculptor in Paris, he received a call to the porcelain manufactory in Meissen in 1764, and was there, after Kändler's death in 1775, solely responsible for the artistic interests of the manufactory. He created a large number of groups in the Watteau style...

Excellent Meissen porcelain group of the 19th century: Depiction of the merely cloth-covered, bearded and crowned god Hephaestus (Roman: Vulcanus) seated centrally on a rock, holding a long-handled hammer beside him and looking off to the side, surrounded by winged putti representing activities from his trade: Patronizing the entire artistic spectrum of metalworking, including the production of jewelry, weapons, sacred-ritual and profane utilitarian objects, the one helping putto to his right is busy firing a cannon made of metal, to his left another putto is forging on an anvil with the help of a hammer and tongs, in front of him, at his feet are presented ornately crafted war ornaments such as a helmet and shield, at the back a putto holds small torches in both hands. The group is based on irregular rock base with gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Excellent Rococo love group in splendid clothes in front of ornate column monument: the gallant sitting on the pedestal of the pedestal at the feet of his beloved, on his lap a basket full of flowers and a flower garland, a sign of his exuberant love, handing the beloved a bouquet of flowers, the latter plucking off the petals of a flower one after the other to find out whether he really loves her or not - a time-honored game of lovers. The group is characterized by particularly elaborate, detailed and loving design and staffage and is based on oval meadow base with gold heightened lateral frieze decoration and gold borders. A successful representation of one of the bourgeois themes that had become popular in the course of the 18th century, for example, through the paintings of Jean-Baptiste Greuze (1725 - 1805). Designed by MICHAEL VICTOR ACIER (1736 - 1799) Skilled as a sculptor in Paris, he received a call to the porcelain manufactory in Meissen in 1764, and was there, after Kaendler's death in 1775, solely responsible for the artistic interests of the manufactory. He created a large number of groups in the Watteau style...

Excellent Meissen porcelain group of the 19th century: Depiction of a bearded old man with angel wings, covered only with a cloth, sitting in the middle of a mountain of clouds, probably Chronos from Greek mythology, symbolizing the passage of life and reminding us that time flies, holding a long staff (usually with sickle) in his hand, surrounded by winged putti, representing activities on and with air: To the right of the old man a standing putto with waving cloth, embracing a peacock, the bird of paradise and symbol of heaven, and breathing into a tube forming a soap bubble, in the foreground wind is produced with the help of a bellows, to the left of and behind Chronos two putti with garlands of flowers and a little bird in their hands. The group is based on an earth pedestal with piled up clouds and gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Excellent Meissen porcelain group of the 19th century: Depiction of the merely cloth-covered, bearded and crowned god Hephaestus (Roman: Vulcanus) seated centrally on a rock, holding a long-handled hammer beside him and looking off to the side, surrounded by winged putti representing activities from his trade: Patronizing the entire artistic spectrum of metalworking, including the production of jewelry, weapons, sacred-ritual and profane utilitarian objects, the one helping putto to his right is busy firing a cannon made of metal, to his left another putto is forging on an anvil with the help of a hammer and tongs, in front of him, at his feet are presented ornately crafted war ornaments such as a helmet and shield, at the back a putto holds small torches in both hands. The group is based on irregular rock base with gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Exceptional Rococo love group in splendid clothes on a rocky hill, the gallant putting back on the ground the beloved, whom he just carried over the brook because of the broken bridge, grasping her still in stooped posture around the waist, both connected by a flower wreath of love, in front of the couple a winged cupid scattering roses over the broken planks, behind them another winged cupid with a quiver full of love arrows, holding on to the skirt of the fine lady with one hand. The group is based on oval rock base with yellow and gold heightened lateral frieze decoration and gold borders. Particularly elaborate, detailed and loving design and staffage. Designed by MICHAEL VICTOR ACIER (1736 - 1799) Skilled as a sculptor in Paris, he received a call to the porcelain manufactory in Meissen in 1764, and was there, after Kaendler's death in 1775, solely responsible for the artistic interests of the manufactory. He created a large number of groups in the Watteau style. In 1780 Acier was called to Dresden to become royal Saxon master modeler. Design of the model F 63 around 1777. Manufactory: Meissen Germany Dating: around 1850 Material: white porcelain, glossy finish Technique: handmade porcelain, finest hand painting Dimensions: height: 24.0 cm / 9.44 in width: 16.5 cm / 6.49 in depth: 13.0 cm / 5.11 in Marks: Blue Meissen crossed sword mark pommels on hilts Model number: F 63 / Former's number 35 / Painter's number 11 Bibliography: Thomas & Sabine Bergmann, Meissen Artist's - Figures / Erlangen Germany 2014, Model numbers A1 - Z99, catalogue number 29 on page 35...