Mikiko Hara is a Japanese photographer known for her snapshot aesthetic portraits of strangers. Most of her photographs are taken on the streets, on public transportation or in other public spaces, and they speak of the distance and isolation of people in these places, especially women. Hara originally studied philosophy before continuing her graduate studies at the Tokyo College of Photography. Due to the aesthetic of her work, Hara has described her image-making as "accidental photographs of somewhere, yet nowhere.” She has published three monographs, Hysteric Thirteen, These Are Days, and Change the last for which she received the prestigious Kimura Ihei Award. Hara’s work has been exhibited throughout Asia, Europe and the United States.
Untitled (Is As It)
By Mikiko Hara
Located in New York, NY
Chromogenic print Signed, dated, and numbered in black ink, verso This photograph is offered by ClampArt, located in New York City. About the artist: Mikiko Hara is a Japanese photo...
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Curtain
By Keith Sharp
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
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Untitled
By Cindy Sherman
Located in Saint Louis, MO
Untitled, 1985 Chromogenic print Framed Dimensions: 22 1/2 x 22 1/2 inches (57.2 x 57.2 cm) Edition of 125
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$34,629
H 48.82 in W 62.6 in D 1.58 in
SAKURA 10, 4-72 – Risaku Suzuki, Nature, Tree, Sky, Spring, Cherry Blossom, Art
By Risaku Suzuki
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-72 2010 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry blosso...
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$34,629
H 47.25 in W 62.6 in D 1.58 in
Water Mirror 16, WM-628 – Risaku Suzuki, Nature, Tree, Water, Mirror, Water Lily
By Risaku Suzuki
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan) Water Mirror 16, WM-628 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5 (#3/5) Framed ‘Water Mirror’is...
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$28,858
H 47.8 in W 63.78 in
Transparent City #12 – Michael Wolf, Chicago, USA, City, Facade, Skyscraper, Art
By Michael Wolf
Located in Zurich, CH
Michael WOLF (1954 – 2019, Germany) Transparent City #12, 2007 C–print Sheet 121.4 x 162 cm (47 3/4 x 63 3/4 in.) Frame 127 x 158 cm (50 x 62 1/4 in....
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Untitled, from the series 'Hanabi'
By Rinko Kawauchi
Located in Zurich, CH
Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi', 2001 C–type print Sheet 25.4 × 20.4 cm (12 × 10 in.) Edition of 6 Signed by the artist Kawauchi burst on the intern...
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$50,501
H 71.66 in W 94.89 in
Usine Toyota n°9 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, Art
By Stéphane Couturier
Located in Zurich, CH
Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.) Frame 189 x 241 cm (74 3/8 x 97 5/8 in.) Edition of 5; Ed. no. 3/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...
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Untitled, from the series 'Hanabi'
By Rinko Kawauchi
Located in Zurich, CH
Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi', 2001 C–type print Sheet 101.6 × 101.6 cm (40 × 40 in.) Edition of 6 Signed by the artist Kawauchi burst on the inte...
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$27,054
H 39.38 in W 48.43 in D 1.58 in
E1027+ 123 Villa Eileen Gray, Photo #27, 2021-2022 C-Print, Framed, Contemporary
By Stéphane Couturier
Located in Zurich, CH
Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #27, 2021-2022 C-Print Sheet 100 x 123 cm (39 2/5 × 48 2/5 in.) Edition of 5 Framed print Signed Born in 19...
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$30,661
H 39.38 in W 67.33 in D 1.58 in
Corbusier Pavilion – Zurich Photo #1, C-Print, Framed, Edition of 5
By Stéphane Couturier
Located in Zurich, CH
Stéphane COUTURIER (*1957, France) Corbusier Pavilion – Zurich Photo #1, 2025 C-Print Sheet 100 x 171 cm (39 2/5 × 67 3/10 in.) Edition of 5 Framed print Signed Born in 1957 in Neui...
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