Mino Maccari Art

Dancing Figures is a china ink drawing realized by Mino Maccari in 1975. Hand-signed in the lower right part. Good conditions with slight folding. Mino Maccari (Siena, 1924-Rome, ...

Male Foul is a Pencil Drawing realized by Mino Maccari (1924-1989) in 1960s. Hand-signed on the lower margin. Good condition on a little cardboard. Mino Maccari (Siena, 1924-Rome,...

The X Ray is a china ink Drawing realized by Mino Maccari in 1965s. Hand-signed in the lower margin. Good condition on a little cream colored cardboard. Mino Maccari (Siena, 1924...

Possibility is a china ink Drawing realized by Mino Maccari in 1970. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, June 16, 198...

Woman's Profile is a violet marker Drawing realized by Mino Maccari in 1970. Hand-signed in the lower margin. Good condition on a little yellowed cardboard. Mino Maccari (Siena, ...

Venus and Her Cat is a Pen Drawing realized by Mino Maccari (1924-1989) in 1950s. Hand-signed on the lower margin. Good condition on a little cardboard. Mino Maccari (Siena, 1924...

Faces is an linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good ...

Faces is an linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good...

Portraits is a Linocut realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Artist's proof. Good conditions. Mino Maccari (Siena, 1924-Rome, Jun...

Faces is a linocut print realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. ...

Nude is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,21/40. Good conditions. Mino Maccari ...

Divide et Impera is a Linocut realized by Mino Maccari in the 1960s. Hand-signed in the lower right part. Artist's Proof. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16...

Nude is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,1/8. Good conditions. Mino Maccari (Siena...

Portrait is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,8/19. Good conditions. Mino Maccari (...

Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,12/12. Good conditions. Mino Maccari ...

Seduction is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,5/6. Good conditions. Mino Maccari (...

The Dance is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Artist's proof. Edition,1/12. Good conditions. Mino Ma...

Men and Women is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,9/24....

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

Faces is an linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

Nudes is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,6/12. Good conditions. Mino Maccari (...

The Dance is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,3/24. Good conditions. Mino Macc...

The Officer is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,23/40. Good conditions. Mino Macca...

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June ...

Study for Spoleto Film Festival is a Drawing in Watercolor realized by Mino Maccari in the 1960s. Hand-signed. Good conditions. Mino Maccari (Siena, 19...

Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,3/40. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...

Nude is an Etching realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Artist'proof. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...

Portrait of Ardengo Soffici is an Etching realized by Mino Maccari in the Mid-20th Century. Handi signed in the lower right part. Numbered. Edition 4/100. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...

The Officer is a Drawing in Watercolor realized by Mino Maccari in the Mid-20th Century. Hand-signed. Good conditions. Mino Maccari (Siena, 1924-Rome, ...

Figures is an Etching realized by Mino Maccari in the Mid-20th Century. Handisigned in the lower right part. Numbered. Edition 4/12. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good co...

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

The Diary is a modern artwork realized by Mino Maccari, and Velso Mucci, in 1944-1947. Black and white lithograph realized by Maccari and a test written by Valso Mucci in Italian on...

The capitalist is an artwork realized by Mino Maccari in 1960s. Pen drawing with artist's monogram below. 9x11 cm; 11 x 15 cm with perspex frame. Good condtions. Mino Maccar...

Piazza San Pietro is a modern artwork realized by Mino Maccari, Aldo Palazzeschi in 1944-1945. Black and white lithograph realized by Maccari and a poem written by Aldo Palazzeschi ...

La coppia is an paper drawing realized by Mino Maccari in 1960s. Monogrammed on the lower left margin. magnetic plexiglass frame. 12x9 cm. Good conditions.

Waiting Man is a woodcut print on paper realized by Mino Maccari in 1926. Hand-signed on the lower in pencil Good conditions with minor foxing. Mino Maccari (1898-1989) was an Italian writer, painter, engraver, and journalist, winner the Feltrinelli Prize for painting on 1963. For his pictorial work rich in evident chromatic accentuations and quick brushstrokes, the violent drawing combined with the living line of the graphic sign...

The Poet With Poem is a pen Drawing realized by Mino Maccari in the 1975s. Hand-signed on the lower in pencil. Good condition with slight folding. The artwork is represented thro...

The Portrait is a Drawing in China ink on ivory-colored paper realized by Mino Maccari in the 1975s. Hand-signed on the lower right. Good conditions with a burning sign on the lowe...

Monna Lisa is an original modern artwork realized by Mino Maccari in the mid-20th Century. Watercolor drawing. Hand signed on the lower margin. Includes frame: 49 x 3 x 43

Gallant and Ladies is an original pen drawing realized by Mino Maccari in the mid-20th century. Good condition on yellowed paper with an aged left margin. The artwork is represente...

Lovely couple is an original painting realized in 1960 ca. by Mino Maccari (1898-1989). Mixed media on a zinc plate. In good conditions. The subject of this artwork is a portrait...

Black and white lithograph realized by Antonio Scordia, with a text by Mino Maccari. Good conditions except for some folds, foxings and yellowing of paper. The text is hand signed ...

Profile is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions....

Portrait of Sleeping Man is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. ...

Portrait is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions. Mino Ma...

Profile is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions....

Buon 1954 is an Original Drawing in tempera on cream-colored paper realized by Mino Maccari in the mid-20th century. Ir represents the popular mascotte of the ENI logo. Hand-signed ...

Figures is an original modern artwork realized by Mino Maccari in the mid-20th Century. Mixed colored charcoal and watercolor drawing. Hand signed on the lower margin. Includes fr...

Figure is an original painting realized in 1960 ca by Mino Maccari (1898-1989). Hand-signed in pencil lower left. In good conditions. The subject of this artwork is female figu...

The Faces is an Original Drawing in ink and watercolor on cream-colored paper realized by Mino Maccari in the mid-20th century. Good conditions. Mino Maccari (1898-1989) was an Ita...

The Faces is an Original Drawing in carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. With another drawing on ...

The Execution is an Original Drawing in pastel and pencil on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good con...

The Escaping is an Original Drawing on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions with some smal...

The Profile is an Original Drawing in pencil and carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good condi...

Portrait is an Original Drawing in Tempera on creamy-colored paper by Mino Maccari in the mid-20th century. Good conditions with some foxing. Hand-signed. Mino Maccari (1898-198...

The Dance is an original Drawing in pen on paper realized by Mino Maccari in mid 20th century. Good conditions with some foxing. Mino Maccari (1898-1989) was an Italian writer, pai...

The Profile is an original Drawing on paper realized by Mino Maccari in mid 20th century. Hand-signed on the lower. Good conditions with some foxing. Mino Maccari (1898-1989) was ...

The Men in Discussion is an original Drawing in China ink and watercolor on paper realized by Mino Maccari in mid 20th century. Hand-signed on the lower. Good conditions. Mino Mac...