Mogens Erik Christien Vantore Art

This painting features vibrant hues of yellow, purple, green and pink. Chattanooga-based artist Christina Renfer Vogel holds an MFA from the Ma...

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

This painting features hues of yellow, orange and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

Dimensions with frame: 44 x 57 x 5 cm. Signed and dated "Arthur 48" in the lower left corner. A striking and modernist still life depicting three freshly caught fish arranged on a white ceramic platter beside a simple kitchen knife. Executed with confident, textured brushwork and a restrained palette, the composition transforms an everyday subject into a powerful study of form, color, and materiality. The artist emphasizes the tactile qualities of the fish through thick impasto and nuanced earthy tones, contrasting beautifully against the luminous white tablecloth and the deep, almost abstract dark background. The dynamic placement of the fish creates a subtle rhythm across the composition, while the pared-down setting recalls the directness and honesty of early 20th-century European still life painting. Influenced by Post-Impressionist and modern realist traditions, the work balances painterly spontaneity with careful observation. The expressive handling of paint and simplified composition evoke the spirit of French and Continental modernist still lifes of the early to mid-20th century. An elegant and sophisticated still life ideal for collectors of European modernism, culinary subjects, and expressive figurative painting. still life painting, fish still life, modernist still life, Post-Impressionist painting, European still life, fish painting, culinary still life, kitchen still life, French still life painting, School of Paris, expressionist still life, oil on canvas still life, impasto painting, rustic still life, seafood painting, market fish painting, tabletop still life, knife in still life, modern European painting, figurative still life, early modernism, painterly still life, collectible still life art, Continental painting, expressive brushwork, white plate still life, food still life painting...

Otto Lindberg (1880-1955) 'The Moonlit Boathouse' ‍ Oil on canvas 60 x 95 cm, 73.5 x 108 cm framed Signed and dated 1940 There is something mesmerising about the way the moonlight...

Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2022 Style: Impressionism, Subject: Spring ...

Valery Baida was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Union State Institute of Cinematography at the Faculty of Arts. Taken part in exhibitions since 1983....

Globe and glove. 2020. Canvas, cardboard, oil, 60x42 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 ...

Jean-Baptiste Oudry (Paris, France, 1686 - Beauvais, France, 1755) Title: White duck Medium: Oil on canvas Dimensions: without frame 98 × 73 cm – with frame 109.5 x 84.3 x 6 cm Not s...

Original Mediterranean Mallorcan House and Garden Modernist Oil Painting Artist: Antoni Maria Sadurní i Albañà (1927–2014) Title: Casa Mallorquina Date: 1993 Medium: Oil on canvas Artwork dimensions: 54 × 65 cm / 21.26 × 25.59 in Framed dimensions: 84 × 95 cm / 33.07 × 37.40 in Signature: Signed lower right Frame: Framed Origin: Spain Subject: Mallorca, Mediterranean architecture and garden Provenance / Exhibition: Masters Art Galerie, Palma de Mallorca, 1993 Documentation: The painting is reproduced in the original catalogue of the artist’s 1993 exhibition at Masters Art Galerie, Palma de Mallorca. DESCRIPTION A particularly attractive Mediterranean landscape by Spanish painter Antoni Maria Sadurní i Albañà, depicting a traditional Mallorcan house surrounded by a lush flowering garden beneath an intense blue sky. Painted in 1993, the work is titled Casa Mallorquina and represents one of the subjects most closely associated with Sadurní’s mature production: the architecture, vegetation and brilliant light of the Mediterranean. The composition is built around the contrast between the luminous white walls of the house and the dense greens of the garden. Small accents of red, pink, orange and yellow animate the foreground, while the clear blue sky gives the scene an unmistakably Balearic atmosphere. Sadurní uses a confident and spontaneous brushstroke, alternating broad areas of colour with more energetic touches in the trees, flowers and vegetation. The restrained geometry of the architecture provides structure to the composition, while the garden introduces movement and texture. Of particular interest is the documented exhibition history of the painting. Casa Mallorquina was included in Antoni Sadurní’s exhibition at Masters Art Galerie in Palma de Mallorca in 1993 and is reproduced in the original exhibition catalogue, a copy of which accompanies the work and is visible in the photographs. This documented provenance adds considerable interest to an already highly decorative example of Spanish Mediterranean painting. ARTIST BIOGRAPHY Antoni Maria Sadurní i Albañà (Vic, 1927–2014) was a Catalan painter best known for his landscapes and Mediterranean scenes. He studied drawing in Vic and was influenced by artists connected with the celebrated Olot landscape tradition, developing his own increasingly personal interpretation of the Spanish and Catalan landscape. In 1947 he became part of Els 8, a group of young artists and intellectuals active in Vic who contributed to the renewal of Catalan cultural life during the post-war period. Throughout his career Sadurní concentrated especially on landscapes, villages, rural architecture and Mediterranean coastal subjects. Mallorca and the Balearic Islands provided particularly suitable material for his interest in strong sunlight, white architecture and intense Mediterranean colour. His mature paintings are characterised by assured brushwork, carefully balanced compositions and an ability to simplify architecture and landscape without losing their atmosphere or sense of place. ARTISTIC INSPIRATION Sadurní’s Mediterranean landscapes belong to the broader tradition of modern Spanish painting in which the visual experience of place is transformed through colour and direct brushwork. The luminous whites, clear blues and simplified architecture of Casa Mallorquina can be related to the Mediterranean sensibility found in painters such as Joaquín Sorolla and Joaquim Mir, while its freer construction through colour recalls aspects of Raoul Dufy and the Fauvist tradition. There is also an affinity with later Spanish landscape painters such as Benjamín Palencia and Godofredo Ortega Muñoz, particularly in Sadurní’s tendency to reduce the landscape to strong compositional masses while preserving its atmosphere. Rather than describing every botanical or architectural detail, Sadurní uses colour, light and abbreviated brushstrokes to convey the sensation of a Mediterranean garden in full sunlight. PROVENANCE AND DOCUMENTATION An especially important feature of this painting is its documented exhibition history. The reverse of the work retains documentation relating to Antoni Sadurní’s exhibition at Masters Art Galerie in Palma de Mallorca, held in 1993. The painting itself is reproduced in the original exhibition catalogue under the title Casa Mallorquina, Mallorca, confirming its title, date and participation in the exhibition. The survival of this contemporary documentation gives the work an unusually strong provenance for a Spanish landscape of this period. Spanish Modern Art, Mediterranean Painting, Mallorca Painting...