Nancy Berlin Art

Brandon Neher is a California artist whose original paintings embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspi...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Mexican artist Heny Steinberg’s mid-century modern inspired abstract artworks invite us to travel from the map to the localized event. She is suggesting that the spatial memory guid...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

This artwork features a tangle of white and blue rectangles and basic geometrical shapes over a textured substrate. On the middle top, aquamrine/turquoise almost vertical bands fall from the top, and a dark red pile occupies the middle of the canvas. Most of Françoise Duprat...

Brandon Neher is a California artist whose original paintings embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspi...

Gene Hedge Untitled, circa 1957 Mixed media on paper 17 1/2 x 23 1/4 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military ...

"Crescent Rose" Mixed Media Handmade Paper Watercolor Abstract by Bruce Weinberg Soft lavenders, magentas and gray tones highlighted with purple thread and sheets of gold leaf mingle to create a soft and lovely abstract on handmade paper by California artist Bruce Weinberg (American, 1942-1994). Image is floated on a silk background. Pencil signed and dated "Bruce Weinberg 1980" lower right. Pencil signed title "Crescent Rose" lower left. Displayed in a giltwood frame with spacer. Image size: 24"H x 35"L. Framed size: 31"H x 43"W x 2"D. Bruce Weinberg was a long time resident of the San Francisco Bay Area. He studied Interior Design at the Philadelphia College of Art and Architectural Space Planning at Temple University. During the 1970s he studied printmaking and drawing at San Francisco's Fort Mason...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Reality Artist signed lower right corner and back, canvas 43"x95"x1.5 Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first...

Watercolor on paper Pencil titled, editioned and signed with name and printed signature Pencil numbered 25/25 This work is floated in it's original vintage wood frame under UV plexi...

sbc 197 (Abstract painting) Mixed media collage on paper — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. ...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Peter Halley Prison 30, 1995 Original graphite drawing on paper Pencil signed on the on the front. Titled and dated on the back This unique work on paper was created by Peter Halley...

Larry Zox (1937-2006) was a central figure in the evolution of 20th century abstraction in America. Raised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went on to work under the tutelage of modernist Georg Grosz at the Des Moines Art Centre. Zox moved to New York City and established his reputation by the mid 1960's. His studio was located on 20th Street and he was surrounded and inspired by a melting pot of jazz artists, bikers, and boxers. Zox was one of the most successful practitioners of hard-edge or geometric abstraction and not surprisingly was championed by Frank Stella, amongst others. By the mid 1960's, Zox arrived at his most recognized style, utilizing hard-edge shapes in bold colors to create geometric patterns, which were often realized on raw canvas. Zox's hard-edge geometric creations from the late 1960's and early 1970's are arguably the most recognizable works from his oeuvre. Fittingly he had a retrospective at the Whitney Museum in 1973, that focused on such work. Today, numerous museums including the Whitney, the MoMA, the Tate and the Metropolitan all have examples of his work from this era in their permanent collections. While Zox is not directly associated with the Op Art movement, many of his works by nature of their patterns and colors create visual illusions in dimensionality. In "Mosaic" the kelly green band that intersect the composition helps give the overall work an appearance of a slanted stair. Frequently the artist seems to be inviting the viewer to find pattern within the work. In "Mosaic" we have both areas of synergy and dissonance. Can you find them? Questions about this piece? Contact us! Teal Top...