Ned Martin Abstract Paintings

This contemporary abstract faceless portrait of Frida Kahlo, with a touch of impressionism and expressionism, was created by French artist Natalya Mougenot. Titled "Frida in Blosso...

"Dreaming with Frida" is a contemporary, faceless abstract portrait of Frida Kahlo by French artist Natalya Mougenot. Blending elements of impressionism and expressionism, the work reimagines one of the most iconic female figures in art with bold color, emotional depth, and symbolic detail. Frida is depicted with orange flowers in her hair and matching orange earrings...

Dan McCaw's (US based) "Waiting" is an original, handmade oil painting that depicts an abstracted figure in an interior setting. Artist Statement: Born: 1942 A solid foundation o...

Rosemarie Beck (1923-2003). Yaddo Portrait of a Man (possibly Larry Osgood). Oil on canvas, 18 x 22 inches. Without frame. Minor rippling of canvas with...

Vintage abstract beach scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to han...

AN URGENT MAN 2020 Paris, France Oil and acrylic on canvas portray a ‘derbyed’ man attempting to shed the weighted armor of his obligations and persona. A very loose nod to the character from René Magritte’s 1964 painting, ‘The Son of Man...

“Cabo Azul 3” is 43” x 36”. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, created to last generations. Much of Frank Arnold’s work is so...

Boys in Blue French School, Mid 20th century Oil painting on board, framed Signed on the lower right hand corner Framed size: 34.5 x 23 inches This artist was clearly inspired by Pi...

Akos Biro (Hungarian 1911-2002) Pastel Pink 1970's Abstract, Colourful Oil Painting, Original Oil painting on canvas, framed Framed size: 33 x 26.5 inches ...

Ron Hicks' (US based) "Essence Of" (2025) is an original, handmade oil painting that depicts an abstract portrait of a woman, face in view and her clothes abstracted into the flowing...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

"Walking in the Park" by Tommaso Principe (Italian b.1942) signed lower corner oil painting on canvas, unframed canvas: 19.5 x 27.5 inches Beautiful Italian Impressionist oil...