Ned Martin Abstract Paintings

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

EPERGNE 2024, Paris, France This painting conveys the sense of knowing something is under the surface, in the dark, while not fully understanding it - as if looking into a cave. An ...

Frederick Conway (1900-1973) was a painter, educator, and lecturer. From 1929 to 1970, Conway was a member of the faculty of the Washington University Art School. When Max Beckmann was in residence at Washington University, he and Conway became close associates. Conway was one of the first to realize the importance and seriousness of Beckmann's teaching. In 1949, Beckmann painted Conway's portrait. Conway was born in Saint Louis, Missouri, and studied at the Saint Louis School of Fine Arts and in Paris at the Academie Julian, the Academy Moderne, and the Academy Grande Chaumiere. He painted murals for the WPA (Works Progress Administration...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the familiar shapes take on a whole new meaning that are simultaneously, as Amy says, "ever elusive and always familiar." Her beautiful tonal and abstracted landscapes are full of complexity that the layers of medium bring. Sullivan says, "My process is an intuitive exploration of simplicity. I am fascinated with negative spaces contradicted by positive mark-making." She likes to begin her paintings with a small study in oil and wax (which are as lovely as the finished pieces, we promise you!) And then, with her keen eye, she searches for the potential of intrigue and paradox. "Carving into the wax and paint, penetrating masses of space with sharp edges, I respond to the tension of defining space and object in an almost sensual way," she tells us. We especially appreciate the way Amy describes that fleeting moment when she knows a painting is complete: "Ever intrigued with the irony of painting, I wait for the voice that says ‘hurry, hurry'. When I'm finished, and I know that the work is complete, there is a feeling inside that says you're home...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the...

" Arroyo 14" is 72” x 60”. A rich sienna and ochre figure centered on a textured field of light yellows and beige. Frank Arnold’s paintings exhibit the highest quality materials for ...

Oil on board. Signed and dated lower right and verso, titled verso. 36.25 x 48 in. 40.5 x 52.25 in. (framed) Framed in contemporary silver, tiered floater frame. Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960. Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s. Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...

Primary Colour Series- Cat is Shizico Yi's latest project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition. With strokes of gilded gold leaves, gesso and ...

"Studio 1528" Oil on Canvas presents a bold visage in blues and white on a mixed field dominated by blues and green tone. Frank Arnold is thought by many to be one of the foremost ab...

Oil on masonite. Signed lower right and on verso. 30 x 24 in. 31 x 25 in. (framed) Custom framed in maple. Louis Leon Ribak was born in the Russian empirical governorate of Grodno in 1902. A long-disputed region that is ethnically Lithuanian, at present day, Grodno is located in the western reaches of the Republic of Belarus, near the borders with Poland and Lithuania. At the age of ten, Ribak and his family immigrated to New York City. In 1922, he attended the Pennsylvania Academy of Fine Arts, followed by studies at the Art Students League (1923) and the Educational Alliance (1924). Ribak’s oeuvre can be largely delineated between two stylistic phases: social realism and abstraction, the former taking hold during the 1930s and 40s. During that period, he had several solo exhibitions at the A.C.A. Gallery in New York, while also regularly exhibiting with “An American Group Inc.” - a cohort of socially-conscious painters that included Stuart Davis, Reginald Marsh, Maurice Sterne, and Raphael Soyer. In 1933, Ribak assisted Diego Rivera on the mural for the lobby of Rockefeller Center, while also being employed by the Works Progress Administration (WPA) as a muralist. Louis Ribak met fellow artist Beatrice Mandelman at a dance sponsored by the Artists Union in New York. They were married in 1942, and shortly thereafter, he was drafted for military service in World War II. After his discharge from the service in 1942 due to difficulties with asthma, Mandelman and Ribak traveled west to visit his former mentor John Sloan in Santa Fe, NM. By this time, the couple had become disenchanted with the art scene in New York, and in light of the need to find a healthier climate for Ribak’s asthma - as well as reputed FBI surveillance based on political affiliations with Communist sympathizers - they decided to permanently relocate to the emerging artists’ colony of Taos, NM in 1944. This change of scenery ushered in the second phase of Ribak’s stylistic career, with his work shifting from social realism toward abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico, the influences of which began to appear in his work. Ribak founded the Taos Valley Art School in 1947, offering no ideology to his students; instead arguing that the adoption of a single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...

"New Move 8" Oil on Canvas is a mix of blues and greens with chrome yellow accents. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculpto...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...