Paul Burlin Landscape Paintings

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

A Colorful, Picturesque 1930s American Scene Country Mountain Landscape Painting of a Summer Pasture in Vermont by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A vib...

Mario Larrinaga was born in Baja California in 1895 and moved with his brother to Los Angeles in 1909. He had no formal training in art, but had natural talent that was noticed by local movie studios. He was hired by Universal Studios as a designer, art director and creator of background scenes. He produced some of the background effects for King Kong in 1933. After a career in set design and illustration he focused on painting for pleasure in California, Mexico and Hawaii. He belonged to local art clubs and exhibited his works often. This stylized modernist work was likely created around 1960. It is oil on wood panel and of a horizontal format, 18” x 36”. It portrays a procession of seemingly Hawaiian natives...

Adelaide Lawson Gaylor New York Skyline, circa 1925 Oil on canvas 48 x 45 inches Modernist artist Adelaide Jaffrey Lawson Gaylor was born in New York City and studied at the Art St...

A Unique, Humorous 1950s Mid-Century Modern Painting of a Country Auction by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Titled "Auctioneer Selling Junk" and painted in ...

A painting by Paul Grimm. "Rooted Silence" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. It is signed in the lower right, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Broken Wagon Wheel in the Snow Thaw, Original Oil Painting on Canvas A broken wagon wheel sits along a fence in the dead of winter as signs of the first snow melt begin to show and ...

Inscribed lower left: [WEST]FORD BRIDGE / [CA]MBRIDGE VT; signed lower right: SLOANE

Elizabeth Dailey Untitled, c. 20th Century Oil on board Sight: 19 1/2 x 23 1/2 in. Framed: 21 x 25 x 1 in. Signed lower right: Elizabeth Dailey This lovely painting by an American a...

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...

Striking regionalist painting by American/Hungarian artist Charles Harsanyi. Autumn Colors in Stephenstown NY. 15" x 20" Oil on board with bold brushwork housed in a 19.25 x 24.25 white washed period frame. Charles Harsanyi (American, 1905-1973) Charles E. Harsanyi was born in Tapolcza, Hungary in 1905. He studied at the Royal Academy in Budapest, Hungary with A. Bankhard from 1923 to 1928. Nineteen years later, in 1947, Harsanyi moved to the U. S., settling in Jackson Heights, New York. The painter and drawing specialist became a member of numerous prestigious art clubs including the Salmagundi Club, The Society of Independent Artists and the Allied Artists of America. Harsanyi served as an awards director and chairman of admissions for the Audubon Artists Association during the 1950s. Later in life after living in Stephentown, New York and Cape Coral, Florida, Harsanyi passed away in Fort Myers, Florida in 1973. STUDIED Royal Academy in Budapest, Hungary with A. Bankhard, 1923-28 MEMBER Salmagundi Club, 1941 Brooklyn Painters & Sculptors American Artists Congress Society of Independent Artists Audubon Artists Association, jury awards director, 1952; chairman admissions committee, 1953; nominating committee, 1955, 1956 Artists Fellow Allied Artists of America, life member; jury awards 1945; jury selection, 1954 AWARDS Long Island Art League, 1954 (prize) Cumberland Valley Artists, 1949, 1950, 1952 (prizes) EXHIBITIONS: Society of Independent Artists, 1929, 1930, 1936-40, 1943, 1944 National Academy of Design, 1933-55 Salons of America, 1934 Brooklyn Museum, 1934 Corcoran Gallery, 1935-51 (four times) Allied Artists of America, 1935-53 (bronze medals 1944, 1953) Doctor Saharunis Art Gallery, Naples, Florida, 1970s American Federation of Arts traveling exhibit Farnsworth Museum, 1950 Springfield Museum of Art, 1947-50 Denver Art Museum, 1937-39 Washington County Museum of Fine Art, 1937-46 (prizes 1938, 39, 41, 43, 54) (gold medal 1946) Butter Art Institute, 1953 World's Fair, New York, 1939 Baltimore Museum of Art, 1939 Art Institute of Chicago, 1941-44 Cincinnati Art Museum, 1941 Pennsylvania Academy of the Fine Arts, 1942, 1948, 1949 Salmagundi Club, 1946 (prize), 1951 (prize) Connecticut Academy of Fine Arts, 1942, 1943, 1945, 1953, 1955 (William Bradford...