Items Similar to Nicolai Cikovsky Mid Century N.Y. Park Stream
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Nicolai CikovskyNicolai Cikovsky Mid Century N.Y. Park Stream
About the Item
Nicolai Cikovsky: 1894-1984. Listed artist who was born in Pinsk Poland which is now part of Russia. He emigrated to the U.S. in 1923. In 1942 he started spending summers on Long Island's North Shore and moved there permanently in 1970s. He was a member of National Academy of Design. He was also associated with the Hampton Bays Art group which included Burliuk, Avery, Gorky and the Soyer twins. His unique style has been described as "Modernist Realism." He has had auction results over $12000. This fantastic vibrantly colored oil on board is most likely either a Long Island park or perhaps Central park. It is triple matted and framed in a vintage hand carved wood frame measuring 33 1/2 inches wide by 27 1/2 high. Image itself is approximately 23 1/4 by 17. Sorry about the flash but glass is very reflective and should be removed for shipping as it is not needed for an oil painting.
- Creator:Nicolai Cikovsky (1894-1987, American, Russian)
- Dimensions:Height: 17 in (43.18 cm)Width: 23.25 in (59.06 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU137829747712
Nicolai Cikovsky
Nicolai Cikovsky arrived in New York in 1923 with impressive academic credentials, having studied in his native Russia at the Vilna Art School, Penza Royal Art School, and Moscow Higher Technical Art Institute. He quickly gained representation with the Charles Daniels Gallery, which exhibited only the most promising modern artists. Best known for his landscapes—especially of Long Island—and figurative works, Cikovsky was lauded for his ability to infuse his canvases with mood, capturing a spirit of place. Cikovsky's works were featured—and often won prizes—in some of the most important exhibitions of the day, including the 1926 International Exhibition of Modern Art at the Brooklyn Museum, National Academy of Design and Art Institute of Chicago annuals, and the New York World's Fair. Other exhibition venues include New York's Museum of Modern Art, the Whitney Museum, Pennsylvania Academy of the Fine Arts, and Carnegie Institute, among many others. He was a member of the National Institute of Arts and Letters and the Society of Painter, Sculptors, and Engravers. In addition to his painting, Cikovsky served as an instructor at the Cincinnati Art Academy, Art Institute of Chicago, Art Students League, and Corcoran School of Art.
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
1stDibs seller since 2020
425 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Ronald Julius Christensen Mid Century Modern MasterpieceBy Ronald Julius ChristensenLocated in San Francisco, CARonald Julius Christensen: 1923-1999. Listed American artist. This is a museum quality mid century modern masterpiece. His use of primary colors explode to the viewer. The painting ...Category
1960s Modern Landscape Paintings
MaterialsOil
- 19th Century Genre PaintingLocated in San Francisco, CABeautiful 19th century oil on canvas. Probably European but not sure. I do not see a signature. Housed in lovely burl wood frame which measures 30 1/4 inches wide by 22 1/2 high. Pai...Category
19th Century Figurative Paintings
MaterialsOil
- J. Kleitsch (1882-1931) Landscape of Dirt Road Leading to Barn HouseLocated in San Francisco, CAJ. Kleitsch (1882-1931) Landscape of Dirt Road Leading to Barn House Oil on Canvas 20 x 24 unframed, 26.5 x 30.5 framedCategory
Early 20th Century Landscape Paintings
MaterialsCanvas, Oil
- Louis van der Pol (1896-1982) Dutch Harbor SceneBy Louis van der PolLocated in San Francisco, CALouis van der Pol (1896-1982) Dutch Harbor Scene by well known listed artist Oil on wood panel 8 x 11.75 unframed, 11.75 x 15.25 framedCategory
20th Century Landscape Paintings
MaterialsWood Panel, Oil
- 20th Century Oil WPA Style Oil Painting Urban Landscape c.1950Located in San Francisco, CA20th Century Oil WPA Style Oil Painting Oil on board. Approximately 20" wide x 16" high. The frame is approximately 24" wide x 20" high. S...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsOil, Board
- James Stokeld (1827-1877) "Buttercup" Original Oil Painting C.1869Located in San Francisco, CAJames Stokeld (1827-1877) "Buttercup" Original Oil Painting C.1869 Original oil on canvas Canvas dimensions 20" wide x 26" high The frame measures 23....Category
Mid-19th Century Figurative Paintings
MaterialsOil, Canvas
You May Also Like
- "Cityscape at Dusk"By John Bradley StorrsLocated in Lambertville, NJSigned Lower Right John Bradley Storrs (1885 - 1956) Born and raised in Chicago, John Storrs was a pioneer modernist sculptor known for his precisely executed, solid, non-objectiv...Category
20th Century Modern Landscape Paintings
MaterialsCanvas, Oil
- San Pedro HarborBy Paul SampleLocated in New York, NYIt is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...Category
20th Century American Modern Landscape Paintings
MaterialsCanvas, Oil
- Picking the Olives by REUVEN RUBIN - 20th century art, oil paintingBy Reuven RubinLocated in London, GBPicking the Olives by REUVEN RUBIN (1893-1947) Oil on canvas 65 x 81 cm (24 ¾ x 31 ½ inches) Signed Executed circa 1940Category
20th Century Modern Landscape Paintings
MaterialsOil
- Spring in Dorset, 20th Century English Oil Landscape, Female ArtistLocated in London, GBOil on board Image size: 12 1/2 x 15 1/2 inches (31.75 x 40 cm) Contemporary style handmade frame Exhibitions 1952 Royal Academy of Arts Exhibition, Gallery no. VII, no.429. This forest scene invites the viewer into a multi-sensory event where the cool, damp shadows of the foliage can almost be felt and the rich bouquet of the forest floor recalled. Here, Sherlock has chosen a somewhat unusual angle and composition, dissecting each truck and tree form so that only a part can be seen. Furthermore, as we look into the depths of this space it becomes clear that we are stood gazing down into a valley that is in the distance, behind this wooded area. Indeed, instead of giving us an uninterrupted view of this vista, as perhaps would be expected, this view is deliberately blocked and our focus is directed instead towards the organic forms in the foreground. The Artist Marjorie Sherlock was born at Fir Tree Cottage, George Lane, Wanstead, Essex, on 3 February 1891, the elder child of the civil engineer, Henry Sherlock, and his wife, Alice (née Platts), who was born in Benares, India. By 1901, the family was living at ‘The Limes’, 121 Mill Road, Cambridge, and Marjorie received an education locally. In 1918, she entered into marriage with her cousin, Major Wilfrid Barrett, though this proved unsuccessful and they later divorced (he remarrying in 1941). She then continued to live at the family home until the Second World War. During the First World War, Marjorie Sherlock studied at Westminster Technical Institute under the Camden Town School painters, Walter Sickert and Harold Gilman. She exhibited at the Royal Academy of Arts from 1917, when she showed a powerful view of the interior of Liverpool Street Station (Government Art Collection) (to which the current etching [202] relates). In time, she would exhibit at the International Society, the New English Art Club, the Royal Society of British Artists, the Society of 207 Graphic Art and the Women’s International Art Club (becoming a member of the last two). She also showed work internationally. Developing as a printmaker as well as a painter, Sherlock studied etching under Malcolm Osborne at the Royal College of Art in 1925. She published her etchings in four series, the titles of which indicate her love of travel: ‘English Etchings, ‘Egyptian Etchings’ (both 1925), ‘German Etchings’ (1929) and ‘Indian Etchings’ (1932). During this period, she also visited the united States. More admiring of Continental painters than British ones, she furthered her studies, in 1938, by working in Paris under André L’Hôte and André Dunoyer de Segonzac. During the Second World War, Sherlock moved to East Devon and settled at Oxenways, a Victorian hunting lodge...Category
1950s Modern Landscape Paintings
MaterialsOil, Canvas
- Keeping CompanyLocated in Atlanta, GABeing born into a family of six children all of them artists, designers, and musicians…a future in the creative arts was unavoidable. A North Carolina native, Marlise obtained a degr...Category
2010s Modern Animal Paintings
MaterialsOil, Wood Panel
- 20th Century French Modernist Signed Oil Boats Moored on BeachLocated in Cirencester, GloucestershireBeached Boats by Lucien Gondret (French b. 1941) signed oil painting on canvas, unframed canvas: 18.5 x 22 inches provenance: private collection, France condition: very good and soun...Category
Late 20th Century Modern Landscape Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
Vintage Hand Carved Wood
Mid Century Auction
Russian Realism
Russian Modernist Painting
Russian 17 Century
Vintage Long Island
Vintage National Park
33 Inch Wide Paintings
Hampton Vintage Painting
Mid Century Art Sail
The Christmas Story
Vintage Texas Art
Susan George
Used Firework
Homer Winslow
Antique Frames Los Angeles
Sea Sunset Oil Painting
Clipper Painting