Percival Lafer Sectional Sofas

In the world of design, Percival Lafer was a visionary dedicated to enhancing both comfort and aesthetics. His innovation led to the creation of the dual MP-97 lounge chairs, which e...

Percival Lafer “MP-41” armchairs for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchairs by Percival Lafer embrace fluidity with a structure that appears weightless despite their solid wood frames. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Percival Lafer “MP-41” living room set for Lafer MP, wood and cognac leather, Brazil, 1972, set of 3 The “MP-41” living room set by Percival Lafer, composed of a sofa and two armchairs, embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon’s “Tijuca...

Crafted by the renowned master Percival Lafer in 1970, this exceptional piece of furniture boasts a striking and comfortable design. Its clean lines and unique details, such as elega...

Percival Lafer “MP-211” Armchair for Lafer S.A., leather and wood, Brazil, 1961 The MP-211 is built on a structural logic that doubles as ornament. A wood frame of blade-like uprigh...

Original condition.

A compelling example of Brazilian modernism, this 1960s MP41 sofa by Percival Lafer reflects the designer’s commitment to structural clarity, material honesty, and relaxed comfort. T...

We are pleased to present this authentic Brazilian sofa by Percival Lafer, circa 1970s. Recently reupholstered in premium yellow leather. Ships from Philadelphia.

Modernist tufted sofa in brown aniline leather designed by Percival Lafer. Constructed with molded foam, rosewood, and nylon straps. Some original straps have been replaced or repair...

Percival Lafer “MP-41” Armchair for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchair by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushion to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushion to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

The MP-01 is the first armchair model produced by the world renown Percival Lafer, and set the stage for his unique style and subsequent designs. The sensual curves of the seat are c...

Percival Lafer “MP-41” Sofa for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” sofa by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...