Rebecca Mason Adams Art

There is something almost peaceful about this room. A young woman sits in a black rocking chair, dressed in a white blouse, voluminous black wrap, striped socks and vivid red ankle b...

Signed (on verso): AF/2021

This painting invites the viewer into a quiet, surreal moment suspended between reality and dream. A young woman, draped in black, leans forward onto a round wooden table, her postur...

This refined interior scene captures a moment of psychological stillness, where presence and perception quietly intersect. The poised figure of a woman contrasts with the alert silho...

Once I lived in a private house. We had four cats, and then we accidentally found the fifth. Where he came from and how long he lived with us is unknown). For texture on the primed c...

This intimate figurative painting is based on a true encounter that took place in Kyiv in July 2022. At a time when the city remained unusually quiet and only a few apartments in my ...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Léon Gérard Crépy Lille 1872 – 1944 French Painter 'Young Girl with a Jug' Signature: signed top left 'LG. Crepy' Medium: oil on canvas Dimensions: image size 46,5 x 38,5 cm, frame...

The painting conveys the idea that what we perceive as life may be an illusion, while the true reality remains hidden. At the center of the scene, a man and a woman stand by a pool, ...

"Raquel" is an interior scene of a young woman, stretched out comfortably on a sofa, surrounded by flowers and fruit. She gazes placidly at the artist, who is portraying her dressed in a nightgown and a colorful dressing gown. Oil on canvas. 2003 Measurements: 90 x 200 cm / 35,43 x 78,74" The rich range of colors used and the relaxed gesture of the model envelop the atmosphere of comfort that prevails in the works of this author because, according to his words: “When I use a model I want her to be very comfortable, rested, calm and relaxed. I am not interested in movement in my work, as it always ends up too artificial for my taste and would interfere with the ambiance I am trying to create”. The flattened perspectives, the fractured surfaces, and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. In 2003 Ediciones Sammer publishes in a deluxe edition the book Alfredo Roldán written by the sculptor David Gamella where a large part of his work is reproduced. This painting, Raquel, is reproduced on the cover of the book and also inside on a double page (294-295). ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...