Remington Schuyler Paintings

Love Mirror, True Experiences magazine cover, February 1937 by Female Illustrator and Pupl Artist Georgia Warren Oil on canvas 17 x 13 inches (43.2 x 33.0 cm) Signed lower left: War...

Early American Impressionist oil on canvas painting by New York born artist André Gisson. The work features a group of three women standing in an open field. The loose brushwork give...

A wonderfully rich beach scene done in Zandvoort Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water as kids play in the distance. The impres...

Mum’s Favourite [2022] original Acrylic on canvas board Image size: H:30 cm x W:26 cm Complete Size of Unframed Work: H:30 cm x W:26 cm x D:0.5cm Frame Size: H:39 cm x W:34 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look. This contemporary still life features a characterful pot (Mum's favourite!) on a patchwork tablecloth. The rich textures and the colour palette of spice tones are perfectly set off by a French style white wooden frame and will add vibrance and warmth to both traditional and modern homes. Kerry Louise...

The winter night landscape is immersed in silence and cold light. A river flows calmly through the painting, its dark water hidden in places by thin ice and snow. Moonlight reflects ...

Giovanni Domenico Valentino (Rome 1630 - Imola 1708) Signed with the monogram G.D.V in the center right, on a majolica vase The pharmacist in his laboratory Oil on canvas, 73 x 66 cm In gilded and lacquered frame cm. 86 x 80 This work, depicting a fascinating laboratory interior with a pharmacist busy in the preparation of medicines, is part of the typical production of the Roman Gian Domenico Valentini, also known as Giovanni Domenico Valentino (Rome 1630 - Imola 1708). The canvas, which is signed with the monogram G.D.V in the center right on a majolica vase, should have been painted in Rome, where the painter worked from 1662 until his death, except in 1680-1681, when he worked in Imola and Ravenna. The use of models by Flemish artists who populated the Eternal City appears essential in the development of Valentini's painting. The use of Nordic models in the development of this type of pictorial genre, with interior scenes and elements of still life, had gained great fortune with the Roman client, leading to an almost serial production, but always of great evocative charm. . Giovanni Domenico Valentini distinguished himself in the artistic panorama of the Italian seventeenth century precisely for the peculiarity of his favorite subjects: they are mainly kitchen interiors or as in our case of a laboratory, where countless objects are piled up arranged in picturesque disorder: here the tools of a pharmacy, in copper and terracotta, vases or pourers in metal and clay, jars and albarelli in majolica, bottles, flasks, glasses, cauldrons, basins and other containers in copper and terracotta, as well as an open oven. The large background wall is occupied by an angular hanging shelf for jars and apothecary jars all arranged in a row, in the foreground the still life featured various pharmaceutical tools such as apothecary bottles, mortar bowls, jars and jars with handles as well as pots and copper vessels. Particularly striking from a chromatic point of view, and a typical piece of furniture of the painter, is the painting above the door frame, which depicts a landscape. The interiors of the Valentini, of which our painting is a valuable example, which display large quantities of objects or furnishings, are arranged with a wisely studied organization: the whole represented is arranged according to the dictates of a pre-ordered exhibition and appears so to speak 'on display', exhibited and organized according to the very personal intent of a painter who aims to ennoble everyday life and make it the emblem of his art. The interior of our pharmacy is very similar to a monogrammed version kept in the Musée des Beaux-Arts, Palais Fesch, in Ajaccio (inv. 852-1-461) depicting a 'Young man visiting a pharmacy', in which the same elements, albeit varied: the half-open wardrobe...

A beautiful large 1920's French post-impressionist oil on canvas portrait of a young lady by Charles Picart le Doux. The artist is very interesting and was friends with Picasso, Piss...

Carlos Quintana is a contemporary Cuban artist known for his expressive paintings which meld collective memory, fantasy, and personal symbolism. Often fe...

Leuus’s interest in art began at a young age, and he later moved to Guadalajara, where he attended the Escuela de Artes Plásticas. This formal training in the traditions of Mexican a...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...

"Smell Da Flowers" is a one-of-a-kind piece created by Eustace Mamba. This original sewn mixed media in painted wood frame artwork measures 7.5”h x 9.5”w framed. It ships with a gal...

Joseph Louis François Lépine (1867-1943) "Painter at the easel." Oil painting on canvas applied to cardboard signed lower left. Early 20th century French postimpressionist school. Joseph Lépine...