Tight Rope
By Remington Schuyler
Located in Fort Washington, PA
Signed Lower Right
20th Century Remington Schuyler Art
Oil
Tight Rope
By Remington Schuyler
Located in Fort Washington, PA
Signed Lower Right
Oil
Devoe & Reynolds Advertisement
By Remington Schuyler
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Unsigned Schuyler, an expert with Indian lore who painted, wrote and lectured on their native culture, appropriately chose and painted this symbol a...
Canvas, Oil
$1,701
H 21 in W 25 in D 6 in
Oil Painting, Small Shooting Scene By Chapman Bayley (British, Active 1818-1832)
Located in Uppingham, GB
Oil on canvas Shooting by the woods by Chapman Bayley (1818-1832) Early 19th Century gent standing by the woods with his two dogs shooting. Signed by the artist in original frame. Ch...
Oil
$3,173
H 18.12 in W 21.66 in D 1.97 in
Change of paradigm #1 - Hélène Duclos, Contemporary figurative painting
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is i...
Canvas, Oil
$3,761
H 28.75 in W 36.23 in D 1.97 in
Incoherence of compulsory ways #1 - Hélène Duclos, Contemporary figurative paint
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...
Canvas, Oil
$9,285
H 68.12 in W 48.43 in D 1.97 in
Strawberries Stéphane Fauchille Contemporary art colour painting landscape
By Stéphane Fauchille
Located in Paris, FR
Oil paint on canvas Unique work Hand-signed by the artist Stéphane Fauchille, dream anthropologist “Would you, for a moment, like to become the Claude Lévi-Strauss of the aborigin...
Canvas, Oil
$5,876
H 67.33 in W 53.55 in D 2.37 in
Italian Oil on Canvas Painting Coat of Arms in Gold Leaves Panel and Black Frame
Located in Firenze, IT
This huge Italian 19th century armorial painting features the coat of arms of Montini, a noble Italian family that has among its ancestors the Archbishop of Milan, later known as Pope Paul VI. The large oval canvas has a brown and red background, the latter shaped like a shield, in which six mountains (from the etymology of the surname) and three white fleur de lis are painted. This big scale palatial oil painting...
Oil, Canvas, Wood
$5,524
H 17.33 in W 23.63 in D 1.97 in
Italian Oil on Alabaster Painting Pompeian Interior Scene in Ormolu Frame
Located in Firenze, IT
This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...
Alabaster, Bronze
$6,934
H 35.04 in W 57.09 in D 1.97 in
Alien invasion Stéphane Fauchille Contemporary art painting colour humour
By Stéphane Fauchille
Located in Paris, FR
Oil paint on canvas Unique work Hand-signed by the artist Stéphane Fauchille, dream anthropologist “Would you, for a moment, like to become the Claude Lévi-Strauss of the aborigin...
Canvas, Oil
$9,402
H 22.84 in W 19.69 in D 3.15 in
Aeneas Fleeing the Burning of Troy, 17th Century Flemish Oil on Canvas Painting
Located in Firenze, IT
This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...
Canvas, Oil
$4,113
H 28.75 in W 36.23 in D 1.97 in
Selective memory #3 - Hélène Duclos, 21st Century, Contemporary painting
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...
Canvas, Oil
$11,165
H 76.78 in W 51.19 in D 1.97 in
The republican picnic Stéphane Fauchille Contemporary art painting colour humour
By Stéphane Fauchille
Located in Paris, FR
Oil paint on canvas Unique work Hand-signed by the artist Stéphane Fauchille, dream anthropologist “Would you, for a moment, like to become the Claude Lévi-Strauss of the aborigin...
Canvas, Oil
$5,759
H 51.19 in W 38.19 in D 1.97 in
Cosmic pulse III- Hélène Duclos, 21st Century, Contemporary figurative painting
By Hélène Duclos
Located in Paris, FR
Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...
Canvas, Oil
$5,759
H 40.16 in W 31.5 in
Untitled Jacques Rouby (1953-2019) Contemporary abstract art sculpted cardboard
Located in Paris, FR
Painted sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery "Experimental dreamer, passionate about graphic adventures, delibera...
Oil, Cardboard
Boys' Life Magazine Cover
By Remington Schuyler
Located in Fort Washington, PA
Signed by Artist Cover of Boys' Life magazine, January 1920
Oil
Sold
H 25 in W 25 in
"Over My Dead Body, " Cover Illustration for West Magazine, Published June 8
By Remington Schuyler
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right Over My Dead Body. Cover illustration for West magazine, published June 8, 1932 and reprinted in April 1...
Canvas, Oil
The Tracker
By Remington Schuyler
Located in Soquel, CA
Compelling oil painting by Remington Schuyler (American, 1884-1955) titled "The Tracker" which appeared one one of many covers Remington illustrated for, circa 1926. Signed lower right corner. We feel "Frontier Stories" "Western Short Stories" "The West" might be issues this would have appeared in. His mother was Sarah Anna "Hidee" Remington, whose father was a nephew of the artist Frederic Remington. Cupping and craquelure from age to paint surface throughout. Displayed in rustic carved wood frame. Image, 28"H x 24"W. Remington Schuyler was Born in Buffalo, New York and grew up in the Midwest. He studied engineering and art at Washington University in St. Louis and studied in Paris and Rome at the Art Students League in New York and with Howard Pyle. Known for his "pulp illustrations," Remington Schuyler did illustrations for "Boy's Life" and the Boy Scout handbook as part of his thirty-year service as a Boy Scout volunteer. He was a mural painter and editor of "Architectural Record," and he was the artist-in-residence and associate professor of art at Missouri Valley College for six years. Her hometown was Buffalo, to which she returned to be with her family during childbirth. The Schuyler family lived in St Louis, Missouri, at 2820 Locust Street. His father was William Schuyler of Missouri, a public school teacher. Remington was the middle born of their three children, all of whom were sons. On October 12, 1897 his mother died in Buffalo at the age of forty-one after complications from a lost pregnancy. After graduating McKinley High school, where his father was Principal, he studied art at Washington University in St. Louis. He received a scholarship to study at the National Academy in Rome and the Academie Julian in Paris. He also studied at the Art Students League in New York with the influential draftsman, George Bridgman. In 1906 he studied with Howard Pyle in Wilmington Delaware. On January 26, 1907 he married Anna Louise Ponder from Milton, Delaware. They left Wilmington and moved to 143 Tinker Street, Woodstock, NY. They had one child, a daughter, who was named Hidee after his mother's nickname. Thanks to his association with Howard Pyle his first published illustration appeared on the cover of The Saturday Evening Post in 1906. He was soon working regularly for The Saturday Evening Post, Pearson's, and Munsey's Magazine. In 1916 they moved to 76 Huguenot Street, New Rochelle, NY, which was a prestigious community with neighbors such as J.C. & F.X. Leyendecker, and Norman Rockwell. New Rochelle had also been the home of his recently deceased namesake, Frederick Remington. On September 12, 1918 he reported for draft registration at the age of 34. His employer was listed as the U.S. Shipping Board of 345 East 33rd Street, Manhattan, NYC, which hired him to design complex color schemes for ships to disorient torpedo attacks. After the Great war he received countless assignments for Boy's Life. He was active in the Boy Scouts for over thirty years and even wrote some of the official rules for earning merit badges. He illustrated many children's adventure books...
Canvas, Oil