Rene Brochard Art

Scenes of Las Ramblas in Barcelona remain among the most recognizable urban subjects in European painting and are highly sought after by collectors and interior designers worldwide. Artist Jordi Junyent Title Rambla de las Flores, Barcelona Date 1988 Medium Oil on canvas Dimensions 50 × 61 cm 19.7 × 24 in Signature Signed “Junyent” lower left and dated 1988. Frame Unframed Condition Very good condition. Canvas firm and well stretched. Stable paint layer with bright colors. No visible restorations. Atmospheric urban painting depicting Las Ramblas flower market in Barcelona, one of the most recognizable and vibrant locations in the city. The composition captures the scene after rainfall, with reflective pavement, flower stalls and strolling figures creating depth and movement. The wet street surface reflects light and silhouettes, enhancing the lively Mediterranean atmosphere. Executed with a confident and expressive brushstroke, the artist uses a palette dominated by cool greys, greens and blues contrasted with vivid reds from the flower displays. The simplified figures and loose handling of paint emphasize the mood of the place rather than strict detail, a characteristic approach of post-impressionist urban painting. Scenes of Barcelona’s Las Ramblas are particularly sought after in the international decorative art market due to their strong visual identity and association with one of Europe’s most iconic boulevards. An attractive and highly decorative cityscape, ideal for collectors of European urban painting or for interior design settings seeking a vibrant Mediterranean atmosphere. Jordi Junyent was a Spanish painter active in the late twentieth century whose work focused primarily on urban scenes and Mediterranean city views. His paintings often depict recognizable locations such as the streets of Barcelona, rendered with a loose brushstroke and an emphasis on atmosphere, light and color. Working within a post-impressionist tradition, Junyent developed compositions that balance figurative clarity with painterly spontaneity, making his works appealing within the European decorative art market. Barcelona Las Ramblas Barcelona street scene Flower market painting...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

If you have an association with dance, yoga or working out, this unusual modernist painting might be an interesting addition to your space. Artist Albert Michini used several models ...

Mario Larrinaga was born in Baja California in 1895 and moved with his brother to Los Angeles in 1909. He had no formal training in art, but had natural talent that was noticed by local movie studios. He was hired by Universal Studios as a designer, art director and creator of background scenes. He produced some of the background effects for King Kong in 1933. After a career in set design and illustration he focused on painting for pleasure in California, Mexico and Hawaii. He belonged to local art clubs and exhibited his works often. This stylized modernist work was likely created around 1960. It is oil on wood panel and of a horizontal format, 18” x 36”. It portrays a procession of seemingly Hawaiian natives...

"Heal Heart Heal" Original Oil and gold leaf on arches paper, cracked varnish finish. Matted Signed and dated Image 5" x 7"

Eugenie Schein was both a dancer and an artist. Her artwork subjects revolved primarily around dancers and dancing, though she also captured everyday scenes in New York. Both Midto...

Lords of the Sky (c.1950) Oil on canvas, 30" x 24" 40" x 34" x 2" framed Provenance: The Artist, his daughter About this artist: Julio De Diego crafted a formidable persona within ...

This vertical format abstract painting by Modernist artist Stanley Bate measures at 26" x 50" framed. The original gold-hued floater frame pulls out the vibrant and warm pops of yell...

"To know how to grow old is one of the masterworks of life" M Barnard Oil and gold leaf on board, varnished. signed and dated lower right. Matted

An early work by Julio De Diego embodies the deep love he had for his homeland of Spain, combined with his strong emotions against war. The peacefulness of the couple holding hands l...

Artist: Francisco Carbonell Massabé (Barcelona, 1928) Title: Las Ramblas de las Flores, Barcelona Medium: Oil on canvas Dimensions Height: 60 cm Width: 73 cm (23.62 × 28.74 in) Signature: Signed lower right; signed and titled on the reverse Frame: Unframed Condition: Very good condition. Firm canvas and stable paint layer Charming impressionist street scene depicting the famous Las Ramblas flower market in Barcelona, one of the city’s most iconic and vibrant locations. The composition captures the lively atmosphere of the historic boulevard, where flower stalls filled with colorful bouquets line the promenade while pedestrians stroll beneath the trees. The artist organizes the scene through a dynamic interplay of figures, market stands and architecture, creating a sense of movement and urban life. Executed with a loose and expressive impressionist brushwork, the painting emphasizes light, color and atmosphere. The rich palette of warm earth tones, greens and floral colors gives the scene a vivid Mediterranean character while maintaining an elegant pictorial balance. Paintings representing Barcelona and Las Ramblas are highly sought after by collectors and interior designers, as they evoke the cultural identity and vibrant lifestyle of the city. The subject matter, combined with the decorative strength of the composition, makes this work particularly appealing for display in both classic and contemporary interiors. An attractive and lively cityscape painting capturing the spirit of Barcelona’s most famous avenue. Francisco Carbonell Massabé (Barcelona, 1928) is a Spanish painter trained at the Schools of Fine Arts and at La Llotja in Barcelona. His artistic career has focused primarily on landscape and urban scenes, strongly influenced by Mediterranean impressionism. His work is characterized by loose brushwork, luminous color and a vibrant treatment of everyday life. He exhibited in various Spanish and European cities, developing a body of work appreciated for its evocative depictions of Mediterranean cities and landscapes. His scenes of Barcelona remain among his most recognizable and collectible subjects. Barcelona painting Las Ramblas painting Barcelona street scene Flower market painting...

Lovely oil painting by Byron Browne. Measures 18" x 14" and framed 24" x 20" x 1 3/4". Signed "Byron Browne" lower left. Inscribed on canvas verso: Byron Browne / 1958 / – Folk Singer– / 18 x 14 / N.Y.C. About this artists: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Portrait of young Garibaldi is mixed colored painting realized by Anonymous artist of the XIX century. Oil on copper. Rare portrait of a young Garibaldi. Includes frame 39 x 3 x 29.

K.G. Subramanyan - Untitled - 12 x 12 inches (unframed size) Oil on Enamel plate Inclusive of shipment without frame. Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work. Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures. About the Artist and his work : K.G. Subramanyan (1924-2016) was born in Kerala. Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai. In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari Mukherjee, Nandalal Bose and Ramkinkar Baij. In 1955, he received a British Council Research Fellowship to the Slade School of Art at the University of London. He was an inspiration to generations of students as a member of the Baroda M S Fine Arts Faculty. His focus there in later years was on terracotta and pottery. Solo Shows : 2014 – The Government Museum & Arts Gallery, Chandigarh. 2014 – Red Earth Gallery, Vadodara. 2018 – Art Musings, Mumbai, KG Subramanyan...