Richard Hamilton was born in Pimlico, London on February 24, 1922. He did an apprenticeship for an electrical components firm, during which time he began to take evening classes at Saint Martin’s School of Art and the Westminster School of Art.
In 1938, Hamilton enrolled in the Royal Academy of Arts. His studies here were unfortunately cut short the following year as he joined the army as a technical draughtsman for the duration of World War II. Following the war, Hamilton spent two years at the Slade School of Art, University College, London.
Hamilton began to exhibit his art at the Institute of Contemporary Art (ICA), and taught at the Central School of Art and Design from 1952. The first major exhibition of Hamilton’s paintings was shown at the Hanover Gallery, London in 1955. In 1993, Hamilton represented Great Britain at the Venice Biennale and was awarded the Golden Lion. He has been the subject of several major exhibitions at Tate in London, notably in 1970 and 1992. Other retrospectives include at the Solomon R. Guggenheim Museum in New York in 1973, MACBA in Barcelona, Museum Ludwig in Cologne and the Neue Nationalgalerie in Berlin.
In 2010, the Serpentine Gallery presented Hamilton’s work “Modern Moral Matters,” an exhibition which largely focused on Hamilton’s political and protest works. Hamilton has been showcased in the Minneapolis Institute of Art’s “Richard Hamilton: Pop Art Pioneer 1922-2011,” and the National Gallery’s “Richard Hamilton: The Late Works” opened in 2012.
Hamilton has been awarded with the John Moores Painting Prize (1969), the Talens Prize International (1970), the Leone d’Oro (1993), the Arnold Bode Prize (1997) and has been made a Member of the Order of the Companions of Honour (CH) in 2010. The Tate gallery in London has the largest repository of Hamilton’s work, but he is collected worldwide including at the Alan Cristea Gallery and the Museo Ncional Centro de Arte Reina Sofía.
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(Biography provided by Shapero Modern)
Oculist witnesses (après Marcel Duchamp) glass sculpture with silver screenprint
By Richard Hamilton
Located in New York, NY
"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...
Metal
Guggenheim (White)
By Richard Hamilton
Located in New York, NY
Vacuum-formed acrylic and cellulose multiple from an edition of 117, enclosed in a plexiglass case. Signed and numbered "30" in felt-tip pen and black ink on the verso. Produced by t...
Acrylic Polymer
$1,000
H 35 in W 5 in D 5 in
Chinatown Portfolio II Plate Three Signed Silkscreen Large 40 x 38" Greek artist
By Chryssa Vardea-Mavromichali
Located in New York, NY
Chryssa Chinatown Portfolio II, Plate Three, ca. 1978 Silkscreen on thick wove paper 40 × 30 1/2 inches (Ships rolled in a tube measuring 35 x 5 x 5) Pencil signed and numbered 36/150 on the front; bears printers stamp on the back Unframed from the Chinatown Portfolio Printed by Atelier Arco in Paris (with stamp on the back of the print) from the Chinatown Portfolio Renowned Greek-American artist Chryssa was preoccupied with the concept of Chinese letters as art forms, which she explores in her Chinatown silkscreen series. Her deliberate experimentations yield an elegant and compelling result. Chryssa Biography Chryssa Vardea...
Screen, Pencil, Graphite
Chrome Green
By Adolph Gottlieb
Located in New York, NY
A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...
Color, Screen
$2,263
H 29.93 in W 22.84 in
Untitled from "Kinderstern" - Max Bill, Hard Edge, Color Field, Bright Colors
By Max Bill
Located in Köln, DE
Screenprint by Max Bill. From the portfolio "Kinderstern". No Title, 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)
Screen
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Edition of 150 104.1 x 71.7 cms (41 x 28 1/4 ins)
Screen
$2,350
H 12 in Dm 4 in
David Hostetler Bronze Sculpture Figurative Green Full FigureSmall By Commission
By David Hostetler
Located in Nantucket, MA
The Classic Lady bronze was cast from a wood carving. She is David's most petite sculpture. Movement and grace with the twist at the waist and tilt of the head. She can add beauty to...
Bronze
Sonata
By Mark Tobey
Located in New York, NY
A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...
Color, Screen
Mother & Child
Located in Knowle Lane, Cranleigh
The sculpture titled "Mother & Child" by Bettina Seitz beautifully captures the intimate bond between a caregiver and an infant through its elegant form. Crafted from a unique white ...
Stone
$3,000
H 31 in W 28.5 in D 2.25 in
Geometric Abstraction Color field silkscreen signed Artists Proof, Museum Frame
By Ludwig Sander
Located in New York, NY
LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...
Screen
$2,576Sale Price|20% Off
H 49 in W 50 in D 0.75 in
Abstract Hanging Sculpture - Two Triangles by Mickey "Kano" Kane
By Mickey “Kano” Kane
Located in Soquel, CA
Abstract Hanging Sculpture - Triangle by Mickey "Kano" Kane (American, 1939-2002). This simple yet striking piece can be viewed from both sides. It is composed of two separate trian...
Plywood, Acrylic Polymer, Acrylic, Handmade Paper
$10,000
H 40 in W 25.5 in
Josef Albers -Deluxe Hand Signed edition Munich Olympic Silkscreen Op Art 63/200
By Josef Albers
Located in New York, NY
This work is NOT to be confused with a separate poster edition, which is on different quality paper and bears a printed signature. This is the much-coveted HAND SIGNED and numbered edition. Josef Albers Large: Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 63/200 in graphite pencil on the front 40 inches (vertical) × 25 1/2 inches (horizontal) Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered 63/200 - silkscreen from the Deluxe, hand signed edition on Schollers hammer paper (aside from the unsigned regular edition of 4000 on wove paper) Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman, Inc., New Haven, for Edition Olympia 72 By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipation of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a powerful symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...
Screen
$62,874
H 16.93 in W 16.93 in
"Homage to the Square: Ten Works by Josef Albers" - Abstract, Set, Square
By Josef Albers
Located in Köln, DE
Set of 10 colour screenprints by Josef Albers. Edition of 250 copies on Mohawk Superfine Bristol. Sheet dimensions each: 43 x 43 cm Illustrations each: 28 x 28 cm All works labell...
Screen
Untitled
By Robert Natkin
Located in New York, NY
A very good impression of this large screenprint with strong colors on heavy wove paper. Signed, dated and numbered 90/100 in pencil by Natkin. Full...
Color, Screen