Robert Antoine Pinchon Art

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

This painting depicts an village scene of people gathering about to have lunch in a Mexican town street. The fun details are what make this painting so attractive and desirable; ther...

A beautiful oil on canvas painting by the French artist Jean Salabet. This exceptional work captures the prime of his career, depicting vibrant flower vendors along the Arc de Triomp...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Palais G...

Marcel Dyf was mostly known for his effortless way to captures the times of the people. Executing most works on-site, he truly was able to absorb the energy and the day, movement of ...

Urbain Huchet (French, 1930-2014) Le Pont Neuf a Paris Description: An original oil or acrylic painting on canvas depicting a Parisian cityscape landscape with a bridge over the Sein...

Georgij Moroz (1937-2015) Pittore Ucraino Bellissimo angolo di Venezia In quest'opera Moroz è riuscito a catturare la luce e l'atmosfera di Venezia

Marcel COSSON (1878-1956) Madame Cosson dans son Jardin Oil on canvas Size : 60,4 x 73,4 cm Signed lower left Painting in perfect condition Without frame Sold with invoice and certif...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inches (85 x 112 cm.) PROVENANCE Private Collection, Chicago Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

Self portrait by Jan Rikar Oil on canvas 39,3 x 31,7 cm (48,3 x 40,4 cm with frame) Signed lower right Inscription on the back : "A Madame et Monsieur le Docteur G - Jaubon (?) - a...