Ruth Thomas Prints and Multiples

Squeak Carnwath draws upon the philosophical and mundane experiences of daily life in her paintings and prints, which can be identified by lush fields of color combined with text, pa...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Wallscape VI (Il Famoso) by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes in Italy 48 x 60 inches / 122cm x 152cm edi...

David Gilhooly (1943-2013) Agate Dog, 1988 Tiled in pencil on the verso Monotype on BFK Rives Paper Signed and dated in pencil, lower right Unframed: 30in H x 22 in L The monoprint i...

Tracey Emin I Can Still Love, 2012 Home made Inkjet Print 11 7/10 × 16 1/2 inches Edition of approx. 150 (unnumbered) Hand signed and dated 2012 with the red Em...

"Wolfbat Leopard Snake" is a 6 color enamel ink silkscreen print measuring 29in x 21.5in, and is part of an edition of 25. The ink splatters in the background are part of the design...

Many Fans by a.muse, 2017 is 15" x 11" -- an original print, dated, titled, signed recto (on front) by artist. An intaglio printmaking process (made on an etching press), the 1/1 w...

Frame size: 43 1/4 x 32 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue Raisonné: Axsom 26 Signe...

From Here to There (2002) A lithographic 3 dimensional collage assembled from mylar, hand made papers from Dieu Donne Papermill, and printed elements on Rives BFK white and black Mor...

David Gilhooly (1943-2013) Early Autumn Years of My Dog Spot, 1988 Monoprint on BFK Rives Paper Titled on the verso in pencil Signed and dated in pencil, lower right Published by Ma...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...