Simone Picciotto Figurative Paintings

Brown earth tone contemporary figurative painting of 3 female figures by Moroccan artist Said Housbane. Acrylic on canvas. Canvas size: 56 x 60 inches. Offered unframed & un...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

Pragnesh Patel - Untitled - 36 x 48 inches Oil & Acrylic on Canvas with Fiber Glass Inclusive of shipment in Stretched Form This work cannot be rolled ...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Sukanta Das - Untitled - 30 x 30 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usually ...

Sukanta Das - Untitled - 36 x 24 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usually ...

Prasanta Sahu - The Act of Touching - 48 x 96 inches (Diptych) (unframed size) Acrylic on Canvas Style : Commingling pictures and text, Sahu borrows motifs from the mass media. The...

Sukanta Das - Untitled - 36 x 48 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usually f...

Sukanta Das - Untitled - 30 x 24 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usually f...

Kamal Mitra - Caring Hand - 18 x 24 inches (unframed size) Acrylic on Canvas Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting...

Ashoke Mullick - Untitled - 20 x 20 inches (unframed size) Acrylic on Canvas. Inclusive of shipment in roll form. Style : Ashoke Mullick is considered one of the leading painters from the Bengal School of Art. Mullick combines a sense of satire with contemporary conditions. His paintings focus strongly on the ordinary man and the contradictions he faces.He uses colours like greens and blues to depict a largely urban India.His paintings also includes a strong focus on the ordinary person – more specifically womankind and the contradictions it faces. The artist likes to portray the contemporary age where people have lost the human touch and have become increasingly impersonal in their behaviour. As a painter, he touches on these facets where customs are not being followed and the link between now and the past is getting hazy. He's carved out a niche for himself with his juxtaposition of real and unreal imagery infusing his canvases with bold, vibrant imagination and certain energy, which is extremely appealing. Mullick has been painting for the last 30 years. About the Artist and his work : Born : 1957, Calcutta. Education : 1981 - Graduated with first class in fine arts 1981-82 - Awarded Cultural Scholarship from the Government of India under Bikash Bhattacharya...