Stefan Alexander Abstract Paintings

(Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Oil on board and polymer clay sculpture. Artistic collaboration between Airom and Organa Meets.

Interior design paintings. The artwork was done with acrylic, watercolor and white felt pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) ...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Sunday Sailing Sails like sentinels, the waves, blue in the afternoon moving on the slackening wind, tacking for home a stripped away memory.

Sarah Alexander's 22 x 30 inch drawing "Brainstorm" is a weightless contemporary pen and ink drawing of floating disc-like shapes that resemble magnifying lenses. The crisp lines of ...

Dos Cuba Libres Never been here before? The busy rhythm, around every corner another bay, and resting will not come soon but still an elegant chaos

The Japanese and Chinese traditions that inform Brooke Lanier’s "Imaginary" (theoretical) series are predicated on the concept of finding balance in the passive and active to produce...

I Burnt My hand On a Hot Cake Morning Light through the aging blinds of indecision, together, moving, catching up to the sounds of the opening day.

Philanthropic Device is a choice to be made, to give or better to be open to receive, lingering at the point of conveyance. A relationship between here and there and ribbons arrayed ...

Large Celestial Mythical Horse Painting by Alex K. Mason "Wardusa", Acrylic Gouache Ink on Canvas, Blue, White, Gold, Yellow This painting is part of a constellation series I did f...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker S...