Sylvia Shanahan Art

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes in original presentation gift box Poignant enameled Holocaust Project Logo pin & pendant based on the logo designed by Judy Chicago for the Holocaust Project: From Darkness into Light More about pioneering artist Judy Chicago Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman...

Renowned portraitist Frank West Benson paints a young woman by the fireplace reclining in a chair in his artwork entitled, “Firelight.”

Khoury's art is characterized by her masterful use of vivid fluorescent colors, dark tones, and high-contrast compositions that are both striking and visually compelling. She employs a variety of techniques, including thick and thin brushstrokes, to create a sense of depth and texture in her work. To balance the roughness of the canvas, which is treated with sand prior to starting each piece, Sally incorporates pastels, which add a softness to the overall texture of the painting. The sand is evenly sprinkled across the surface, giving each piece a unique and distinct texture. This large, fluorescent, colorful 59-inch high by 108-inch wide triptych painting is an acrylic paint composition on canvas with pastels, spray paint, and sand. Each segment measures 59 inches high by 36 inches wide. This abstract artwork is signed by the artist on the front of the artwork. The sides are a continuation of the painting and it does not require framing. Free local Los Angeles area delivery. Convenient U.S. and global shipping are available. A certificate of authenticity issued by the art gallery is included. Khoury's series of abstract paintings is a celebration of her connection to her parent's native language and the Arab world she grew up in. Through the incorporation of elements of Arabic writing, Khoury infuses her work with a unique charm and energy that captivates the viewer. The curves and lines that make up the language are emphasized and transformed into vibrant, colorful patterns that represent a mix of emotions and memories. Each painting is a visual representation of the sense of belonging that Khoury feels through the language and culture of her upbringing. Khoury begins her creative process by using pastels, spray paint, and acrylics to create scratches and marks on the canvas. As she works, she draws inspiration from Arabic words and phrases, using them to guide the direction of her strokes. Before the paint dries, Khoury scrapes it off, pulling it downwards towards the end of the canvas. To complete the composition, Khoury adds solid colors and meticulously placed drips of paint, which give the painting a sense of movement and depth. The result is a series of captivating abstract paintings that showcase Khoury's talent as an artist and her unique artistic vision. Khoury was born in Ohio following her family’s emigration from Lebanon. Shortly after her birth, her family moved to Saudi Arabia, where she stayed until she was 14. Sally then attended high school and college in Beirut, where she graduated with a BA in Fine Arts with distinction from the Lebanese American University of Beirut. In 2013, she moved back to the United States and settled in California. She recently relocated to Qatar. Her paintings have been featured in group and solo shows in Beirut, Dubai, Italy, and the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Artspace Warehouse, Los Angeles, CA Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art...

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang with two studs. Medium : Oil on mounted linen on wood. Artist : Gabriel Riesnert Subject : Ciel d'été (Tit...

A painting by Frederick Carl Frieseke. "Afternoon at the Beach" is a large scale, oil on canvas painting of a beach scene, depicting beach goers...

"Tight Fit" a charming narrative dog painting by Beth Carlson of two beautiful Springer Spaniel dogs cozily sharing a wing chair in a living room interior. T...

Vue prise des Collettes, Cagnes by Pierre-Auguste Renoir (1841-1919) Oil on canvas 28 x 45.7 cm (11 x 18 inches) Signed lower left, Renoir Executed circa 1910-1911 This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein. Provenance: Mme Chavan, Lausanne Sotheby’s London, 2nd December 1981 Sotheby’s London, 4th February 2004 Richard Green, London Private collection, acquired from the above in August 2004 Stern Pissarro Gallery, London Private collection, London, acquired from the above Literature: A.Vollard, Pierre-Auguste Renoir, Tableaux, pastels et dessins, Paris, 1918 G-P. Dauberville and M. Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 1903-1910, vol 4, no. 2930 Artist biography:Renoir began his artistic career as a porcelain painter but began copying paintings...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Damien Hirst Butterfly Heart (Small) H7-4, 2020 Laminated Giclée print on aluminium composite panel in original publisher's packaging Signed by Damien Hirst & numbered 1483/3510 on t...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928