Thomas Kegler Paintings

Mediterranean Fishing Boats Beach Catalonia Coastal Impressionist Oil Artist: J. Sureda Lloveras Title: Fishermen Boats on Mediterranean Beach Medium: Oil on panel Period: circa 1945 Movement: Spanish Impressionist School Support: Panel Signature: Signed lower left Condition: Very good condition Framed: No Dimensions: Height: 33 cm (13 in) Width: 41 cm (16.15 in) Origin: Catalonia, Spain Charming Mediterranean coastal scene depicting traditional fishing boats resting on a sunlit Catalonian beach, painted by J. Sureda Lloveras around 1945. The composition captures the quiet poetry of working maritime life along the Spanish coast, with anchored boats, suspended fishing nets and luminous white seaside architecture dissolving into a warm atmospheric horizon. The brushwork is spontaneous yet controlled, combining structural drawing with fresh plein-air sensitivity typical of mid-century Mediterranean impressionist painting. Scenes like this evoke the authentic coastal identity collectors associate with Sitges, Costa Brava and the wider Catalan shoreline during the golden era of Spanish figurative landscape painting. The painting balances decorative harmony with documentary charm, making it equally suitable for collectors of Spanish impressionism and for interiors seeking refined coastal European atmosphere. Small-scale original Mediterranean harbor paintings with strong light and architectural presence are particularly desirable in today’s international interior design market, especially in the United States. A refined and highly displayable example of postwar Catalan coastal painting. This work belongs to the tradition of Mediterranean plein-air painting developed across Catalonia and the Spanish Levante during the first half of the 20th century. Comparable stylistic affinities may be found in the coastal works of: Joaquín Sorolla Eliseu Meifrèn Santiago Rusiñol Hermen Anglada-Camarasa (coastal palette phase) and European maritime painters such as Eugène Boudin Raoul Dufy (coastal compositions) These references position the painting within a broader international impressionist coastal landscape tradition appreciated by collectors worldwide. Mediterranean painting Spanish coastal painting Fishing boats painting...

A wonderful image of an English country cottage set in a meadow with cattle grazing. Franklin White (1892-1975) A cottage in the countryside Signed with initials and dated (19)32 Oi...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

Landscape with the river. 1992, cardboard, oil, 49x68 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in dif...

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

Barcelona Boulevard at Dusk Urban Landscape Oil Painting Impressionist Artist: Josep Marfa Guarro (1928-2014) Title: Barcelona Boulevard at Dusk Medium: Oil on canvas laid on board ...

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Autumn. 1967. Oil on cardboard, 68x57 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons a...

A charming Impressionist painting celebrating North American wildlife, depicting a serene scene with several elk in a meadow with a forested and mountainous background. This piece is...

Bison in the Birch Forest - Western Plein Aire Landscape in Acrylic on Board Lush Western landscape by California Plein Aire artist Nick White (American, 1943-2009). A large white and yellow aspen...

Winter. 1978, cardboard, oil, 48x45 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints lands...