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Thomas Sidney Cooper Paintings

British, 1803-1902

Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was greatly encouraged by Abraham Cooper (of no relation) and Sir Thomas Lawrence. Cooper entered the Royal Academy Schools before taking up a position as a teacher in Brussels in 1829. He was also influenced by the 17th century Dutch School. In 1831, the artist settled in London and first exhibited at Suffolk Street in 1833. He exhibited 48 pictures at the British Institution between 1833–63. Landscape and Cattle at the Royal Academy of Arts in 1833 and was shown until 1902 without a break; it was a record for a continuous exhibit at the Royal Academy of Arts. Sheep and cattle were his most frequent subjects, although he did paint a few figurative ones as well. His studio sale at Christie’s lasted three days from 12–15 April 1902. His works can be found in the Birmingham Museum & Art Gallery; the Blackburn Museum & Art Gallery; the National Museum Cardiff, Wales; the Glasgow City Art Gallery; the Leeds Art Gallery; Leicester Museums and Galleries; the Walker Art Gallery in Liverpool; the Victoria and Albert Museum in London; the Wallace Collection in London and the National Gallery in London.

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Artist: Thomas Sidney Cooper
Highland Pastures
By Thomas Sidney Cooper
Located in Belgravia, London, London
Highland Pastures by Thomas Sidney Cooper RA British, 1803-1902 Oil on panel Panel size: 16.5 x 21 inches Framed size: 23 x 27 inches Signed and dated 1851 lower right
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Panel, Oil

Cattle Watering At The Stream, 19th Century by THOMAS SIDNEY COOPER (1803-1902
By Thomas Sidney Cooper
Located in Blackwater, GB
Cattle Watering At The Stream, 19th Century by THOMAS SIDNEY COOPER (1803-1902) Large 19th Century English landscape with cattle watering by a stream...
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil, Canvas

Oil Painting by Thomas Sidney Cooper "The Milkmaid"
By Thomas Sidney Cooper
Located in Mere, GB
Oil Painting by Thomas Sidney Cooper R.A "The Milkmaid" 1803 - 1902 Pupil of the Royal Academy Schools, where he was to become the longest exhibit...
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil

Mid Period Thomas Sidney Cooper, Landscape with Cows & Sheep 1865
By Thomas Sidney Cooper
Located in Lincoln, GB
Mid Period Thomas Sidney Cooper, Landscape with Cows & Sheep by a river. Signed & Dated bottom middle 1865. Canvas 34 1/2 x 26 1/2 inches. Framed 48 x 40 inches. Oil on Canvas. This is s wonderful...
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil

Bull, three cows and two sheep on a grassy hummock 1853
By Thomas Sidney Cooper
Located in Lincoln, GB
Thomas Sidney Cooper 'Family Group' 1853 Oil on Canvas Canvas 30 x 42 Inches Framed 38 x 51 Inches Signed and Dated
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil

Cattle And Sheep Resting By The Water, 19th Century
By Thomas Sidney Cooper
Located in Blackwater, GB
Cattle And Sheep Resting By The Water, 19th Century Thomas Sidney Cooper, RA (1803-1902) - Rare large example of the artists Huge 19th Century English landscape with cattle and she...
Category

Early 19th Century Thomas Sidney Cooper Paintings

Materials

Canvas, Oil

Oil on canvas : Cattle near the cliffs of Herne Bay KENT by Thomas Syndey Cooper
By Thomas Sidney Cooper
Located in Gent, VOV
Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...
Category

1880s Realist Thomas Sidney Cooper Paintings

Materials

Canvas, Oil

19th Century landscape animal oil painting of cattle & sheep by a river
By Thomas Sidney Cooper
Located in Moreton-In-Marsh, Gloucestershire
Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...
Category

19th Century Victorian Thomas Sidney Cooper Paintings

Materials

Canvas, Oil

Sheep Resting
By Thomas Sidney Cooper
Located in Belgravia, London, London
Oil on panel Panel size: 17 x 14 inches Framed size: 22.75 x 20 inches Signed lower left
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil, Panel

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Early oil depicting the Great Fire of London
Located in London, GB
The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...
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Landscape with Resting Sheep /// Victorian Thomas Sidney Cooper Animal Farm Art
By Thomas Sidney Cooper
Located in Saint Augustine, FL
Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Landscape with Resting Sheep" *Signed by Cooper lower left Circa: 1880 Medium: Original Oil Painting on Canvas Framing: Framed in a gold ornate gesso frame Framed size: 15.25" x 17.75" Canvas size: 10.25" x 12.25" Condition: Light cosmetic wear to frame. Some craquelure to surface. In otherwise very good condition Notes: Provenance: private collection - Munich, Germany. The sheep depicted in this painting by Sidney are likely Leicester Longwools. The Leicester Longwool is an English breed of sheep. Alternative names for the breed include: Leicester, Bakewell Leicester, Dishley Leicester, English Leicester, Improved Leicester and New Leicester. It was originally developed by 18th-century breeding innovator Robert Bakewell. Biography: Thomas Sidney Cooper CVO RA (26 September 1803 – 7 February 1902) was an English landscape painter noted for his images of cattle and farm animals. Thomas Sidney Cooper was born in St Peter's Street in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter; and he alternated between these two occupations for about eight years. He still felt a desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. He then returned to Canterbury, where he was able to earn a living as a drawing-master and by the sale of sketches and drawings. In 1827 he settled in Brussels and married; there he met Eugène Joseph Verboeckhoven. Because of the Belgian Revolution he returned to London, and by showing his first picture at the Royal Academy (1833) began an unprecedentedly prolonged career as an exhibitor. When the competition was announced for the decoration for the new Houses of Parliament, to be held at Westminster Hall in 1847, Cooper submitted The Defeat of Kellermann's Cuirassiers and Carabiniers by Somerset's Cavalry Brigade at Waterloo, June 18, 1815, without success. In order to complete the picture, the artist used Siborne's model of the battlefield then on exhibition in London, while a friend in Brussels sent him breastplates worn by the various cavalry regiments, and a trooper of the Life Guards acted as a model. He is mainly associated with pictures of cattle or sheep,[4] a fact that earned him the epithet "Cow Cooper". Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...
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1880s Victorian Thomas Sidney Cooper Paintings

Materials

Canvas, Paint, Oil

Landscape with Cows
By Thomas Sidney Cooper
Located in Saint Augustine, FL
An original signed oil painting on canvas by English artist Thomas Sidney Cooper (1803-1902) titled "Landscape with Cows", 1891. Hand signed, dated...
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1890s Victorian Thomas Sidney Cooper Paintings

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Mountain Sheep
By Thomas Sidney Cooper
Located in Belgravia, London, London
Oil on panel Panel size: 18.5 x 21 inches Framed size: 22 x 26 inches Signed lower left
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil, Panel

Mountain Sheep
Mountain Sheep
H 22 in W 26 in D 3.5 in
Thomas Sidney Cooper Landscape with Sheep
By Thomas Sidney Cooper
Located in Lincoln, GB
Oil on Canvas, 41 x 51 inches, Signed Thomas Sidney Cooper (1803 - 1902) Landscape with Sheep Oil on Canvas Framed Size; 102 x 127 cm
Category

19th Century Thomas Sidney Cooper Paintings

Materials

Oil

Sheep in an Open Landscape - British Old Master oil painting mountains
By Thomas Sidney Cooper
Located in London, GB
A fine large oil on canvas by noted British Old Master landscape and animal artsit Thomas Sidney Cooper RA. A stunning panoramic view with sheep resting, it is a fine large example ...
Category

19th Century Old Masters Thomas Sidney Cooper Paintings

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Oil

Thomas Sidney Cooper paintings for sale on 1stDibs.

Find a wide variety of authentic Thomas Sidney Cooper paintings available for sale on 1stDibs. If you’re browsing the collection of paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Thomas Sidney Cooper in oil paint, paint, canvas and more. Not every interior allows for large Thomas Sidney Cooper paintings, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Heywood Hardy, John Frederick Herring Jr., and Henry H. Parker. Thomas Sidney Cooper paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,000 and tops out at $81,545, while the average work can sell for $20,835.

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