Tiffani Buteau Mixed Media

"Study for Three Sisters," a 1954 mixed media drawing by Balthus, offers an intimate glimpse into the artist's preliminary creative process. Executed in pencil with subtle blue water...

This is a one of a kind mixed media collage by southern California artist, Susan Osborn. Its dimensions are 22"x28". It is unframed. A certificate ...

Acrylic, graphite and printed paper collage on board 42.6 x 36.8 cms (16 3/4 x 14 1/2 ins) This is the only collage in which Motherwell used a green package from Gauloises Caporal D...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Fela’s Demonstration Of Craze: Nothing has changed since Nigerian Afrobeat music pioneer, Olufela Olusegun Oludotun Ransome-Kuti, known professionally as Fela Anikulapo Kuti, or simply Fela, gave his own epic and hilarious breakdown of Democracy [1980]. As Nigerians all over the world remember and celebrate Democracy Day on June 12, yearly. Fela described Democracy as simply Demonstration of Craze. Looking at it critically, it makes all the sense that there is to be derived from the word. Nigerians have not only been crying from time immemorial, it is not a different scenario today as the same hands are still running the cabal. Nothing has changed, despite the ‘change’ mantrum. Here’s what he said, “Now I mentioned Democracy. In English, an English man...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanie...

Abstract expressionist painting and collage by Bay Area artist Michael Pauker (American, b.1957). Titled and dated "Brescia 2014" on verso. Unsigned. From a collection of his work. F...

Lively abstract expressionist oil painting/collage of what resembles a corridor as the focal point, with imported cigar cut outs and pops of vibrant color by...

Abstract Blue Orange & Red Lake Sunset Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 30 inches Frame measures 41 x 35 inches This painting is a ra...

Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on the front Catalogue Raisonne Bl...