Tom Burckhardt was born in New York City in 1964. He is known for exploring the artistic process and subverting the boundary between representation and abstraction. Noting his avoidance of painting on canvas and preferring to use book-pages and molded plastic and traditional art materials for his sculptures, critic John Yuan described Burckhardt’s aim as to “destabilize the grand tradition of painting and sculpture while simultaneously finding non-nostalgic ways to honor them”. Burckhardt’s 2011 installation 157 Elements of a Painting attempted to deconstruct notions of painting with 157 bold, colorful images that contained quasi-recognizable forms with fragmentary motifs and painterly elements. In the same spirit, Full Stop, a detailed cardboard-and-black-paint recreation of an artist’s studio, complete with art books on the shelves and a blank canvas, was an attempt to undermine the material aspect of installation art.
$1,000
Fileuse (The Weaver), Limited Edition S/N print, from Earth School Portfolio
By Tom Burckhardt
Located in New York, NY
Tom Burckhardt FILEUSE from Earth School Portfolio, 2005 Digital Print on Card Stock Pencil signed and numbered 19 on the front from the limited edition of only 25 24 × 18 inches Unf...
Digital
Color Lithograph Linocut Chine Collé "Workshop" Bright Modernist Pop Art
By Tom Burckhardt
Located in Surfside, FL
Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...
Lithograph, Linocut
"Further Reading"
By Tom Burckhardt
Located in Lyons, CO
The artist describes this project: “This print grows out of ink and collage works using old book pages. The title or chapter heading is a kind of found text, unmoored from its conte...
Lithograph
Incognito
By Tom Burckhardt
Located in Lyons, CO
Color lithograph, Edition 20 Burckhardt is interested in art from cultures where symbols and narrative forms are mysterious and indecipherable. Seeing artifacts independent of bac...
Lithograph
Twister
By Tom Burckhardt
Located in Lyons, CO
Color lithograph on antique paper, Edition 20. Burckhardt is interested in art from cultures where symbols and narrative forms are mysterious and indecipherable. Seeing artifacts ...
Lithograph
Canvas in the Snow III
By Tom Burckhardt
Located in Lyons, CO
Monoprint on antique paper Burckhardt is interested in art from cultures where symbols and narrative forms are mysterious and indecipherable. Seeing artifacts independent of backg...
Monoprint
Debris XXII
By Tom Burckhardt
Located in Lyons, CO
Color monoprint Burckhardt's Debris monoprints are meant to conjure a Western landscape, with Big Sky expanses coupled with flood washed rubble. The prints are not intended to be ...
Monoprint
Debris XVI
By Tom Burckhardt
Located in Lyons, CO
Color monoprint Burckhardt's Debris monoprints are meant to conjure a Western landscape, with Big Sky expanses coupled with flood washed rubble. The prints are not intended to be ...
Monoprint
Workshop
By Tom Burckhardt
Located in Lyons, CO
Color lithograph/linocut with chine collé, Edition 25 Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He use...
Lithograph
$205
H 3.55 in W 4.73 in
Room with a red arch - XXI Century, Contemporary Linocut Woodcut Print, Colorful
By Maria Stelmaszczyk
Located in Warsaw, PL
Maria Stelmaszczyk is a Polish artist born in 1983. PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...
Paper, Woodcut, Linocut
$3,000
H 50 in W 38 in
Gigi: red black abstract print with poetry based on 1950s vintage movie poster
By Rene Ricard
Located in New York, NY
Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...
Lithograph
$1,800
H 29.875 in W 22.875 in
"Untitled" lithograph on cardboard by Imi Knoebel from "Kinderstern" portfolio
By Imi Knoebel
Located in Boca Raton, FL
"Untitled" lithograph on cardboard of red "Star for Children" by artist Imi Knoebel from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house f...
Lithograph
$5,500
H 36.5 in W 45.5 in
Red Cascade - Cypress Gardens - contemporary, abstract, acrylic on paper
By Paul Fournier
Located in Bloomfield, ON
The kaleidoscope of colours and the dynamic form of nature are expressed in this joyful celebration of nature. Rendered in right red, yellow, blue, green, orange and yellow—the colou...
Monoprint
$6,221
H 6.26 in W 8.51 in
Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
By Richard Prince
Located in Dubai, Dubai
Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. Edition 91/100 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
Archival Paper
$220Sale Price|32% Off
H 11 in W 8.5 in
YES TO LIFE-NO TO DRUGS (Oui À La Vie-Non À La Drogue) 1987 Signed Lithograph
By Sami Burhan
Located in Union City, NJ
YES TO LIFE-NO TO DRUGS (Oui À La Vie-Non À La Drogue) is a handmade color lithograph by the internationally recognized Syrian artist Mohammad Sami Burhan printed on archival Arches ...
Lithograph
$4,838
H 6.26 in W 8.51 in
Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011
By Richard Prince
Located in Dubai, Dubai
Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never f...
Paper
$520Sale Price|20% Off
H 14.25 in W 11.25 in
GRAY AND BLACK ABSTRACT 2002 Signed Lithograph, John Ashbery Suite A WAVE Poem
By Will Barnet
Located in Union City, NJ
GRAY AND BLACK ABSTRACT by the American painter and printmaker Will Barnet is an original hand drawn lithograph, printed using hand lithography on archival printmaking paper 100% aci...
Lithograph
Julie Curtiss Woman In High Heels Print Contemporary Art
Located in Draper, UT
Title Julie Curtiss Woman In High Heels Small Edition Of Only 10 - 17 X 11 Pristine Condition Year 2019 Classification Limited edition Medium Type Print ...
Lithograph
$1,500
H 24 in W 18 in
Yoshitomo Nara Marching on a Butterbur Leaf Print Contemporary Art
By Yoshitomo Nara
Located in Draper, UT
Edition Details: Year: 2019 Class: Art Print Status: Official Released: 10/01/19 Run: 1,000 Technique: Fine Art Lithograph Paper: 80# archival qual...
Lithograph
$800
H 10 in W 10 in D 0.4 in
Untitled limited edition signed abstract geometric print by renowned sculptor
By Keith Sonnier
Located in New York, NY
KEITH SONNIER Untitled, 1995 Letterpress on Sumerset Paper Edition 91/100 Signed and numbered in graphite from the edition of 100, recto Frame included Measurements: Sheet: 6 inches ...
Mixed Media, Pencil, Lithograph
Unavailable|$311
H 21.66 in W 21.66 in D 0.04 in
Valentine Love (number 10 white) R By Agent X, Limited edition print, Love
By Agent X
Located in Deddington, GB
Valentine Love (number 10 white) R By Agent X [2021] limited_edition Mixed Media Edition number 100 Image size: H:55 cm x W:55 cm Complete Size of Unframed Work: H:55 cm x W:55 c...
Paper, Giclée
Sold
H 21 in W 41 in
Color Lithograph Linocut Chine Collé "Workshop" Bright Modernist Pop Art
By Tom Burckhardt
Located in Surfside, FL
Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler (1912-92), the comic figuration of Philip Guston and the Surrealism of the Hairy Who painters, Jim Nutt and Karl Wirsum...
Lithograph, Linocut