Tomasz Prymon Abstract Paintings

A unique abstract expressionist pastel drawing by an unknown artist. Depicting a mans face as the focal point with what appears to be chu...

My 80's Hart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green, blue

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Remembrance #35 is a work by the Japanese artist Maho Maeda. This work is composed of two assembled panels that give the work two different surfaces: canvas and wood. Acrylic, colore...

Panoramic Mountain Study in the Snow, Oceans of the North, Oil on Canvas 2026. An original landscape painting by Contemporary British Artist, Sarah Victoria Scott Art measures 31.5 ...

Colourful Abstract Landscape Painting of the Scottish Highlands by Leading Contemporary British Artist, Angela Wakefield Art measures 30 x 20 inches Frame measure 36 x 26 inches ...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Newborn sound #94 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are...

Turquoise Blue Abstract Textured Coastal Landscape at Sunset by Contemporary British Artist, Angela Wakefield Art measures 12 x 10 inches Frame measures 17 x 15 inches Angela Wakef...

Miniature Landscape Study of Hartland Point on the Devon Coastline, England, by Contemporary British Artist Angela Wakefield Art measures 7 x 5 inches ...

Saint Joseph Oil on canvas 36 × 60 in 91 × 152 cm Michele Mikesell’s Saint Joseph unfolds as a surreal, horizontal dreamscape where a solitary figure floats through an open, ivory-...