Victor Muller Art

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Adventure Ahead, a captivating abstract contemporary landscape by Danish artist Steffen Bue. This impressive 100 x 140 cm (39.37 x 55.12 in) acrylic painting draws viewers into a thr...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in painting and lithography and obtained a scholar...

Introducing "Ribbon," an extraordinary painting from the "Jersey Meadow Series" by Martin Hoffman in the 1970s. From the 1970s onwards, Hoffman's career showcased a masterful combination of beautiful painting techniques and challenging subject matter. This contemporary painting depicts an abandoned landscape with a hypnotic blue plastic ribbon at its center. Hoffman's landscape creates an almost mesmerizing effect, where the subject matter of destruction and decay is presented poetically. The warm shades of grey with hints of blue, brown, and purple create a limited yet powerful palette that enhances the melancholic beauty of the painting. The painting measures 151cm x 202cm / 59.5in x 79.5in and is signed 'Martin Hoffman' on the reverse side of the canvas. It is titled 'Ribbon' and is dated '73.' Additionally, the artist specifies that the painting is part of the 'Jersey Meadow Series.' It is ready to hang and comes with a silver-painted frame. The condition of the painting is great, with hardly any signs of wear. The frame has a few scratches but is otherwise in good condition. Artist Bio: Martin Hoffman was a versatile artist and illustrator, mostly known for his paintings. He was a self-taught painter and a gifted drummer who had worked as an art director for the Miami News, Graphic Arts Inc., and Steiner & Wall Advertising. In 1973, Martin Hoffman landed his first solo exhibition at the OK Harris...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in painting and lithogr...

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000), obtaining a Master's degree with...

Fresh Cut (Abstracted Pink/Purple Flowers in Vase against Window) by David Konigsberg 2023, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media an...

Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor of Fine Arts from Utah State University with an emphasis in drawing and painting, and a Masters of Arts fro...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...