Victor Vasarely Mixed Media

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

An screen print poster by Josef Albers that advertises his 1972 Exhibition at the Metropolitan Museum of Art in New York City. The print features a minimalist, op art design made up...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Artist: Victor Vasarely (Hungarian-French, 1906-1997) Title: "E.T. (Fond Argent)" *Signed by Vasarely in pencil lower right Year: 1983 Medium: Original Screenprint on Arches paper Li...

Victor Vasarely (1906-1997) Composition Screenprint in color Pencil signed lower right Edition 234/275 Image Size: 26"h x 26"w, Sheet (unframed): 31"h x 30"w Victor Vasarely...

Wonderful mid century, signed (illegibly) and dated. I believe it is German or Austrian but not certain. It is an assemblage of textures and materials collaged together, done in bright jewel tones. Avant Garde painting...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

Ivan Chermayeff (1932-2017): Butterfly Mouth Mixed media collage, 2002, hand signed 'Ivan Chermayeff' and dated lower right, titled lower left. Bears label from David Findlay Jr. Gallery, NY. 22 1/2 x 15 in. (sheet), 25 3/4 x 18 1/4 in. (frame). Provenance: The estate of the artist. Ivan Chermayeff born London, United Kingdom, 1932 Chermayeff was one of the greatest American graphic designers, the son of the Russian born, British architect Serge Chermayeff. Ivan Chermayeff Graduated from the Phillips Academy of Andover, Massachusetts in 1950. He studied at Harvard until 1952, and the Institute of Design (New Bauhaus) until 1954. Graduated from the Yale School of Arts and Architecture in 1955 with a Bachelor of Fine Arts. The same year he did a short apprenticeship with Alvin Lustig—a pioneer of American graphic design—and then moved on to CBS as Assistant Art Director in record cover design. In 1956 he co-founded Brownjohn, Chermayeff & Geismar Associate, with Robert Brownjohn and his former schoolmate Tom Geismar. In 1959 Brownjohn left and the studio changed to Chermayeff & Geismar Inc. It soon became one of the best-known design firms worldwide. The firm produced over six-hundred marks, and they were among the very first to develop an abstract trademark (Chase Bank, 1960), still in use today. In 1964 they designed the outstanding corporate identity of Mobil Oil, that is one of the most recognizable identities ever. From its foundation, the studio served major companies including Giorgio Armani, Barneys, Hearst, MoMA (Museum of Modern Art), National Geographic, NBC (National Broadcasting Company), PBS (Public Broadcasting Service), Rockefeller, and others. Recently, Serge Haviv joined as a new partner and the firm changed to Chermayeff & Geismar & Haviv. Besides his design profession, Chermayeff is a talented illustrator artist and collagist. Many graphic pieces he made show a perfect balance of rational logics with imagination, featuring both abstract geometric shapes and figurative images. His collage works require a same sense of witty assemblage, where gathered information, like scraps of paper, stamps, and Polaroid photograph pictures combine as fragmented clues to a greater message. The Surrealist collages often take the shape of people, whose facial features are born of scraps and daily ephemera. They are amusing and infinitely thought-provoking; as Chermayeff has said, “Collages make it possible for everything to be something else.” Board overseers at Parsons School of Design and trustee at New School University from 1988 to 2002. Visiting professor at Cooper Union, University of California, and Kansas City Art Institute. He started making collages at the age of 17 to overcome his fear of not being able to draw. They are mostly made from day-to-day ephemera: envelopes, stamps, cigarette packs, train tickets, strips of coloured paper, found images, stones from the beach or squashed rusty cans. Inspired by Surrealism and organised by the artist’s hand and complemented with strong lines, they make faces, figures, fragmented narratives. Like all great designs, they evoke surprise and the pleasure of recognition. As he put it: “Design is all about seeing and making connections which are not so obvious.”President of AIGA (American Institute of Graphic Arts) from 1963 to 1966. Trustee of MoMA (Museum of Modern Art) from 1965 to 1986. Member of the board of directors of IDCA (International Design Conference in Aspen) from 1968 to 1999. Board Director at Municipal Art Society of New York in 1972-76. Member of AGI (Alliance Graphique Internationale) since 1978. Board Director at Smithsonian Institution from 1988 to 1996. He was elected to the Hall of Fame of ADC New York (Art Directors Club) in 1982. Trustee of the Archives of America Art in 1987-90. Royal Designer for Industry since 1992. He was awarded numerous prizes including the Industrial Art Medal from AIA (American Institute of Architects) in 1967, the Philadelphia College of Art Gold Medal in 1971, AIGA Gold Medal (American Institute of Graphic Arts) in 1979, the President’s Fellow Award from the Rhode Island School of Design in 1981, the First International Design Award from Japan Design Foundation in 1983, the Yale Arts Medal in 1985, the Distinguished Service Award from New School University in 1999, the Society of Illustrators Gold Medal in 2002, the Tokyo Type Directors Club Award in 2004, and the National Design Award for Lifetime Achievement in 2014. He also received a honorary doctorate in law from the Portland School of Art in 1981, and two honorary doctorates in fine arts from the Philadelphia University of Arts and the Corcoran Museum of Art, Washington in 1991. Along with Seymour Chwast, Sid Chafetz, Saul Bass, Milton Glaser, Paul Rand, Ikko Tanaka...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Salvador Dali Queen of Hearts, 1967 Limited Edition Limoges Porcelain Plate. Signature Fired into Plate. Numbered with COA 9 3/4 inches diameter Edition 358/2000 Artist Signature and edition Fired into Plate on front. Certificate of Authenticity with edition number from the manufacturer. Produced by Puiforcat, France This dazzling limited edition 1967 Salvador Dali porcelain plate...