Wifredo Lam Art

Oiseau du fer & Oiseau de feu is a work realized by Wifredo Lam in 1970s. Pair of polished metal sculptures and chromed bronze. h cm 26.5 x 14. each. Both signed and numbered ...

Lithograph, 1973 Handsigned by the artist in pencil and numbered XVIII/XX Publisher : La Mata (Paris) Catalog : [Tonneau-Ryckelynck n°7303] 65.00 cm. x 49.50 cm. 25.59 in. x 19.49 i...

Wifredo Lam "Pleni Luna Lune Haute" 1974 Lithograph Ap 4 of 10 25 x 19 in

This artwork titled, El Ultimo Viaje Del Buque Fantasma, 1976, created to honor Gabriel Garcia Marquez writing of the same title, is an original color l...

El Ultimo viaje del buque fantasma, Plate III Color lithograph, 1976 Signed and numbered in pencil From: Gabriel Garcia Marquez, El Ultimo viaie del buq...

Artist: Wifredo Lam (1902-1982) Titled: "PEZ(FISH)" (Assiette au Poisson) Edition: 200. Medium: Bronze plate with greenish-brown patina. Date of creation: 1962 Category: Sculpture...

Wifredo Lam (1902-1982) Éloge Rupestre de Miró, 1973 - Published by Au Vent d’Arles, Paris Illustration to the poem “Éloge rupestre de Miró” by Re...

Wifredo Lam (1902-1982) "L’oiseau de Feu – L’oiseau de Fer" (Bird of Fire – Bird of Iron) 1970 Brass (1 polished + 1 chrome) Edition: 434/500A and 439/500B. 26 x 14 x 10 cm (10.2 x ...

From El Ultimo Viaje del Buque Fantasma suite made to illustrate the text of Gabriel Garcia Marquez. Hand signed and numbered by Wifredo Lam. Published by Polígrafa, Barcelona. Fro...

From a set of 6 done in 1975 at Pollenza-Macerata, Nuova Foglia Editrice. Hand signed and numbered by Wifredo Lam. Edition EA of 8. Artwork size 31.5 x 25.5 inches. Framed. Artw...

This original watercolor by Cuban artist Wifredo Lam is in excellent condition and measures 12"h x 10"w. It is signed lower right and dated 1961. It bears a simple gold frame that ...

Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.

Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. He discovered surprising correlations between western art and so called “primitive” art. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo...

Untitled is a lithograph realized y the Cuban artist Wifredo Lam (Sagua la Grande, 1902 - Paris, 1982). This color lithograph on wove paper, was edited by the French magazine "XXe...

No title is a litograph realized by Wifredo Lam in 1970s. Handmonogrammed in the right lower margin with original dry stamp by Galleria Nuovo Sagittario, Milan. Edition number 4...

Colorful and fantastic Lithograph Pair by Wilfredo Lam, “”Demons Familliers” in yellow and “Lune Haute” in blue. Signed lower right, numbered XXIII/L lower left. Printed text on vers...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Medium: original lithograph. Printed in 1963 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/4 inches; 310 x 235 mm. Not signed.

Medium: original lithograph. This Wifredo Lam surrealist print was issued in 1974 for XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 3/8 inches (310 x 238 mm). No...

This is a Lithograph in colors on Velin paper titled "Totem" by Wifredo Lam (1902-1982). The 1960 limited edition. The work is signed by hand and numbered 62/80...

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression ...

El Ultimo viaje del buque fantasma, Plate I Color lithograph, 1976 Signed and numbered in pencil (see photos) Edition: 99 (6/99) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam This one of an edition of 99 from the delixe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Reference: Lam-Tonneau-Ryckelnck CR 351 Condition: very good, slight scuffing on reverse from previous hinges About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude in which we find this literary genre. Summary of "The Last Voyage of the Ghost Ship" (1868): The novel by Gabriel García Márquez, The Last Voyage of the Ghost Ship, written in 1968, is written in a single great sentence, which tells the surprising and amazing adventure that has changed the existence of a child living in a coastal town with a small port sunny, almost forgotten by civilization. The days are peaceful, the nights are silent and illuminated only by the rotating beacon that, every fifteen seconds, transforms the town into a lunar camp with phosphorescent houses. During one night in March, the boy saw an immense afterlife ship that sails through the seas with all the dead crew and sometimes appears to the living, silently crossing the deserted sea, a huge and unexpected mass whose trajectory suddenly it seems to drift, and then runs aground on the reefs. This cataclysm is accomplished without disturbing the night's silence, and the next day the boy found no traces of the shipwreck and no one believed it, not even his mother. Time passes, and the same shipwreck occurs again, every year, on the same night in March; the adolescent...

El Ultimo viaje del buque fantasma, Plate IV Color lithograph, 1976 Signed and numbered in pencil (see photos) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the deluxe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Condition: slight yellows (aging) of paper small paper scuffs verso from previous hinges Sheet size: 22 x 29 7/8 inches About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude in which we find this literary genre. Summary of "The Last Voyage of the Ghost Ship" (1868): The novel by Gabriel García Márquez, The Last Voyage of the Ghost Ship, written in 1968, is written in a single great sentence, which tells the surprising and amazing adventure that has changed the existence of a child living in a coastal town with a small port sunny, almost forgotten by civilization. The days are peaceful, the nights are silent and illuminated only by the rotating beacon that, every fifteen seconds, transforms the town into a lunar camp with phosphorescent houses. During one night in March, the boy saw an immense afterlife ship that sails through the seas with all the dead crew and sometimes appears to the living, silently crossing the deserted sea, a huge and unexpected mass whose trajectory suddenly it seems to drift, and then runs aground on the reefs. This cataclysm is accomplished without disturbing the night's silence, and the next day the boy found no traces of the shipwreck and no one believed it, not even his mother. Time passes, and the same shipwreck occurs again, every year, on the same night in March; the adolescent...

Wifredo Lam (1902 - 1982) - Personaggi - Hand-Signed Aquatint Etching, 1979 Additional Information: Material: Color Aquatint etching Edited in 1979 Limited edition in 125 exemplars ...

Wifredo Lam Bird and Spirit Figure, 1969 Original lithograph Hand signed in pencil Numbered / 125 On vellum 57 x 45 cm (c. 23 x 18 in) Very good condition

Lithograph, 1978 Handsigned by the artist in pencil and numbered 11/115 Publisher : Erker (Saint Gallen) From "Vingt-deux poèmes" of Jean Cassou LCD5372

Wifredo Lam (1902-1982) "Untitled" 1966, color lithograph ,ed. 78/100, signed at the lower right. Provenance: Colasanti Casa D'Aste, Roma Literature: Pag. 236, Fig. 192 "LAM, Catalo...

Wonderful fresh sketch in red ink on an ivory-colored paper, with an autograph dedication "Per Pino Fasio amicia Pittore Wifredo Lam Albissola 1970" . Dated and signed in red ink. V...

ED: 22/60 Work on paper Golden wooden frame with glass pane

Wifredo Lam (1902 - 1982) - Vingtième Parallèle Suite - Hand-Signed Etching and Aquatint, 1966 Additional Information: Material: color etching and aquatint on S. Ilario di Pescia pa...

El Ultimo Viaje Del Buque Fantasma by Wifredo Lam, Cuban (1902–1982) Year: 1976 Lithograph, signed and numbered in pencil Edition of EA XIII/XX Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Lithograph Handsigned by the artist in pencil and numbered 19/60 45.00 cm. x 56.00 cm. 17.72 in. x 22.05 in. (paper) 33.00 cm. x 49.00 cm. 12.99 in. x 19.29 in. (image) LCD4549

El Ultimo viaje del buque fantasma, Plate X Color lithograph, 1976 Signed in pencil lower right corner (see photo) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (T...

This artwork titled "Montee de Seve, from the suite, Pleni Luna" 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo La...

This colorful abstract original lithograph was printed at the Atelier Mourlot in 1974. This print is marked "H.C." on the bottom righthand corner, indicating it is a "Hors Commence" ...

Lithograph, 1974 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) Handsigned by the artist in pencil Ref : LCD3072

Provenance: Cernuda Art, Coral Gables Private Collection, Los Angeles

Wifredo Lam - Knight - Original Lithograph Published in the deluxe art review, XXe Siecle 1963 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

Untitled, for "XXe Siècle (20th C.)" magazine is an original color lithograph by Latin American artist Wifredo Lam. It depicts a variety of surreal and abstract lines and figures in ...

This artwork titled "Innocence" from the suite, Pleni Luna, 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo Lam, 1902-1982. It is hand sig...

A unique and rare dinner service by Wifredo Lam. The dinner set consists of: One soup tureen. Three large serving dishes. One small serving dish. One salad bowl. 12 flat dishes...

TECHNICAL INFORMATION: Wilfredo Lam Belle Epine, from Pleni Luna 1974 Lithograph 25 1/2 x 19 3/4 in. Edition of 262 Pencil signed and numbered Accompanied with COA by Gregg Shienba...

This artwork titled "Demoiselle Blasonee from the suite, Pleni Luna" 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo Lam, 1902-1982. It is...

TECHNICAL INFORMATION: Wilfredo Lam Lune Haute, from Pleni Luna 1974 Lithograph 25 1/2 x 19 3/4 in. Edition of 262 Pencil signed and numbered Accompanied with COA by Gregg Shienbau...

Original lithograph, hand-signed and hand-numbered in pencil by the artist. Edition: 56/99 Excellent Conditions Dimensions: 76 x 56 cm Reference : Catalogue raisonné Tonneau-Ryckely...

TECHNICAL INFORMATION: Wilfredo Lam Innocence, from Pleni Luna 1974 Lithograph 25 1/2 x 19 3/4 in. Edition of 262 Pencil signed and numbered Accompanied w...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Untitled - I Year: 1957 Medium: Crayon and Pastel on Paper, signed and dated l.r. Paper Size: 22 in. x 26.5 in. (55.88 cm x 67.31...

TECHNICAL INFORMATION: Wilfredo Lam Clairiere, from Pleni Luna 1974 Lithograph 25 1/2 x 19 3/4 in. Edition of 262 Pencil signed and numbered Accompanied w...

This work by Wifredo Lam from 1983 is part of the portfolio "Against Apartheid". In this year, many renowned artists decided to create a portfolio of printmaking works to set a sign against the Apartheid. There was also a touring exhibition. The complete project was supported by the United Nations Special Committee against Apartheid. Please scroll through our seller storefront...

Lithograph in colors on paper - Published by AH Grafik - Suite: Pleni Luna

Lithograph in colors on paper - Published by AH Grafik - Suite: Pleni Luna

Lithograph in colors on paper - Published by AH Grafik - Suite: Pleni Luna

Lithograph in colors on paper - Published by AH Grafik - Suite: Pleni Luna

Wifredo Lam (1902 - 1982) - Le Regard Vertical - Hand-Signed Lithography, 1973 Additional Information: Material: Lithography on Arches Paper Edited in 1973 Signed in pencil by artis...

This extraordinary and rare drawing by Wifredo Lam is one of the artworks that the artist took with him when he moved from Cuba to France. In Paris, Lam showed Picasso his drawings a...

This extraordinary and rare drawing by Wifredo Lam is one of the artworks that the artist took with him when he moved from Cuba to France. In Paris, Lam showed Picasso his drawings a...