Skip to main content

Willy Pogany Art

Hungarian, 1882-1955

Willy Pogany was born and educated in Hungary, before emigrating to Great Britain and then leaving again for New York after World War I. He studied at Budapest Technical University and in Munich and Paris. Pogany spent his early childhood with his brothers and sisters in a large farmhouse full of chickens, ducks, geese, dogs, pigs and horses. He became one of the nation's leading book illustrators, leaving his imprint on a wide range of books such as A Treasury of Verse for Little Children, The Rubaiyat of Omar Khayyam and The Rime of the Ancient Mariner.

to
3
5
2
Overall Width
to
Overall Height
to
10
4
1
8
2
8
7
6
6
3
2
6
6
4
4
3
10
8,923
2,810
2,504
1,339
8
10
Artist: Willy Pogany
Tamas The Power of Bad
By Willy Pogany
Located in Santa Monica, CA
WILLY POGANY (1882 - 1955) TAMAS THE POWER OF BAD, c. 1940. Etching, signed and titled and numbered 50 in pencil. Image 12 x 9 inches. Sheet 14 7/8 x 10 3/4 inches. Generally goo...
Category

1940s American Modern Willy Pogany Art

Materials

Etching

The Prince's Room
By Willy Pogany
Located in Buffalo, NY
Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...
Category

1940s Realist Willy Pogany Art

Materials

Gouache, Graphite, Pen, Watercolor

The Winter's Tale, Cover for The American Weekly
By Willy Pogany
Located in Fort Washington, PA
Original cover illustration for The American Weekly, published November 27, 1949. Depicting a scene from “The Winter's Tale,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. Signed lower right. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese...
Category

1940s Other Art Style Willy Pogany Art

Materials

Paper, Watercolor

Fortune Teller
By Willy Pogany
Located in Fort Washington, PA
William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese, Fairy Flowers, Forty-Four Turkish Fairy Tales, Tales of the Persian Genii, A Treasury of Verse for Little Children, Stories to Tell the Littlest Ones, Hungarian Fairy Book...
Category

20th Century Other Art Style Willy Pogany Art

Materials

Paper, Pencil, Watercolor

Much Ado About Nothing, Cover for The American Weekly
By Willy Pogany
Located in Fort Washington, PA
Original cover illustration for The American Weekly, published December 11, 1949. Depicting a scene from “Much Ado About Nothing,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. "I Won't Marry Her." William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese, Fairy Flowers, Forty-Four Turkish Fairy Tales, Tales of the Persian Genii, A Treasury of Verse for Little Children, Stories to Tell the Littlest Ones, Hungarian Fairy Book...
Category

20th Century Other Art Style Willy Pogany Art

Materials

Paper, Watercolor

Nero's Temple On The Nile
By Willy Pogany
Located in Fort Washington, PA
Medium: Gouache on Illustration Board Signature: Signed Middle Right Sight Size 20.50" x 27.00;" Framed 30.25" x 35.00" Framed and matted under glass in antique gold painted art deco...
Category

1940s Willy Pogany Art

Materials

Gouache, Illustration Board

The Merry Wives of Windsor, Cover for The American Weekly
By Willy Pogany
Located in Fort Washington, PA
Original cover illustration for The American Weekly, published February 5, 1950. From Pogany’s “Beauties of Shakespeare” cover series for the magazine, this illustration depicts a scene from The Merry Wives of Windsor where Sir John Falstaff hides in a laundry basket. Signed lower left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...
Category

20th Century Willy Pogany Art

Materials

Board, Mixed Media

Cymbeline, Cover for The American Weekly
By Willy Pogany
Located in Fort Washington, PA
Original cover illustration for The American Weekly, published October 9, 1949. Depicting a scene from “Cymbeline,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. From the Estate of John McLaughlin. Medium: Mixed Media on Board Signature: Signed Lower Left William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...
Category

20th Century Other Art Style Willy Pogany Art

Materials

Board, Mixed Media

Queen Elizabeth
By Willy Pogany
Located in Fort Washington, PA
From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...
Category

20th Century Other Art Style Willy Pogany Art

Materials

Board, Mixed Media

Esther Accusing Haman
By Willy Pogany
Located in Fort Washington, PA
Story illustration for "Queen Esther's Feast," published in the book Bible Stories to Read and Tell: 150 Stories from the Old Testament with References to the Old and New Testaments,...
Category

20th Century Willy Pogany Art

Materials

Paper, Watercolor

Related Items
17th Century Dutch Old Master Ink Drawing Christ on the Cross Many Figures 1674
Located in Cirencester, Gloucestershire
Christ on the Cross attributed to Jan Luyken (Dutch, 1649–1712) inscribed 1674 upper corner pencil drawing, watercolor and ink wash on paper over oard, framed framed: 12 x 11 inches ...
Category

17th Century Old Masters Willy Pogany Art

Materials

Color Pencil, Ink, Watercolor

Napoleon at the Head of His Grande Armée, His Generals and the Prussian Hussars
Located in Cotignac, FR
Pencil, chalk and watercolour depiction of Napoleon at the head of his generals by French artist Jean Ducel. The work is signed bottom right. A bold and graphic depiction of Napoleo...
Category

Late 20th Century Outsider Art Willy Pogany Art

Materials

Chalk, Crayon, Cardboard, Pencil, Watercolor

Blue mountain. 1975. Watercolor on paper, 14x19 cm
Located in Riga, LV
Blue mountain. 1975. Watercolor on paper, 14x19 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category

1970s Realist Willy Pogany Art

Materials

Paper, Watercolor

Blue mountain. 1975. Watercolor on paper, 14x19 cm
$229 Sale Price
20% Off
H 5.52 in W 7.49 in D 0.04 in
"Masha's fairy tales" watercolor cm. 17 x 22 1970
By Marina Yevgenyevna Uspenskaya
Located in Torino, IT
Children, illustrations, tales Marina Evgenevna USPENSKAYA (Moscow, 1925 – 2007) Marina Evgenevna Uspenskaya was born in Moscow. She graduated from the 1905 Art College, where she ...
Category

1970s Realist Willy Pogany Art

Materials

Paper, Watercolor

1910's Art Deco Erte Gouache Painting Original Hand Signed Rare French Costume
By Erté
Located in Buffalo, NY
A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...
Category

1910s Art Deco Willy Pogany Art

Materials

Gouache, Archival Paper, Pencil

The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Willy Pogany Art

Materials

Drypoint, Etching

The Spire -- New York
The Spire -- New York
$350 Sale Price
58% Off
H 14.5 in W 11 in D 0.5 in
Fine 17th Century Dutch Old Master Drawing Hunting Party Landscape
Located in Cirencester, Gloucestershire
The Hunting Party Attributed to Dirk Maes (1659-1717) Dutch. Figures in a Classical Landscape, Watercolour and wash on paper, Mounted, unframed image 6.75" x 9.75" (17.1 x 24.7cm)...
Category

17th Century Old Masters Willy Pogany Art

Materials

Pencil, Watercolor

'Brooklyn Bridge' — Iconic New York City Landmark
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category

1920s American Modern Willy Pogany Art

Materials

Etching, Aquatint

Mid Century French Pencil Sketch Fashionable Sketches of Figures and Faces
By Josine Vignon
Located in Cirencester, Gloucestershire
Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal /watercolour/ink on artists paper, double sided Size: 9.5 height) x 7.5 (width) Stamped Verso ...
Category

Mid-20th Century Post-Impressionist Willy Pogany Art

Materials

Charcoal, Watercolor, Pencil, Ink

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern Willy Pogany Art

Materials

Archival Paper, Drypoint, Etching

He Told The Same Story Twice - Figurative Animal Surrealist Watercolor Artwork
Located in Los Angeles, CA
Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...
Category

2010s Modern Willy Pogany Art

Materials

Paper, Watercolor, Graphite

Church Interior
By Ray Quigley
Located in Buffalo, NY
A modern illustration by American artist Ray Quigley depicting two men inside of a church.
Category

1950s Realist Willy Pogany Art

Materials

Gouache, Illustration Board, Ink

Previously Available Items
Oil Painting Hungarian American illustrator Willy Pogany Illustration Art, Fruit
By Willy Pogany
Located in Surfside, FL
Still life of fruit (with purple glass or crystal) Hand signed lower right Dimensions: (Frame) H 24" x W 27.5", (Canvas) H 17.25" x W 21.5" William Andrew Pogany (born Vilmos András Pogány; August 24, 1882 – July 30, 1955) was a prolific Hungarian American illustrator of children's and other books. His contemporaries include C. Coles Phillips, Joseph Clement Coll, Edmund Dulac, Harvey Dunn, Stevan Dohanos, Walter Hunt Everett, Harry Rountree, Norman Rockwell, and N.C. Wyeth. He is best known for his pen and ink illustration drawings of myths and fables. A large portion of Pogany's work is described as Art Nouveau. Pogany's artistic style is heavily fairy-tale orientated and often feature motifs of mythical animals such as nymphs and pixies. He paid great attention to botanical details. He used dreamy and warm pastel scenes with watercolor, oil painting, and especially pen and ink cartoon work. Willy Pogany was born in Szeged, Austria-Hungary. He studied at Budapest Technical University and in Munich and Paris. He spent his early childhood with his brothers and sisters in a large farmhouse full of chickens, ducks, geese, dogs, pigs, and horses. When he was six, his parents took him to Budapest where he would later be sent to school. He especially liked to row and to play soccer. In his spare time, he drew pictures and painted. He enjoyed painting and drawing so much he decided to be an artist. He attended Budapest Technical School for less than a year, during this time he took art classes for six weeks. He sold his first painting to a wealthy patron for $24. He spent his early twenties attending art school and would later travel to Munich, Paris, and London before coming to the United States in 1914. When Pogany went to Paris to study and paint, he was unable to secure much attention or income, was often poor and went hungry. Willi Pogany spent two years in Paris. When he finally saved up some money from his work, he left Paris to go to London. In 1906, Arthur Rackham's Rip Van Winkle gained massive popularity, sparking a demand for artists in London. At this point Pogany was hired to provide the design For The Welsh Fairy Book by T. Fisher Unwin, including over 100 plates, illustrations, vignettes, chapter heads and tails, and initials. He also did 48 illustrations for Milly and Olly, 70 for The Adventures of a Dodo and 39 for Faust. After ten years in London, Pogany emigrated to America. Besides book illustration, pictures, mural paintings, portraits, etchings, and sculptures, Pogany became interested in theatre and designed stage settings and costumes for different shows and the Metropolitan Opera House. He eventually moved to Hollywood to serve as an art director for several film studios during the 1930s and 1940s. In London, he crafted his quartet of masterpieces: The Rime of the Ancient Mariner (1910), Tannhauser (1911), Parsifal (1912) and Lohengrin (1913).[7] Each of these was designed completely by Pogany, from the covers and endpapers to the text written in pen and ink, pencil, wash, color and tipped-on plates. Pogany worked as an art director on several Hollywood films, including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling, Ettenger, Reiner and William Randolph Hearst's Wyntoon Estate, painted for the Barrymore family, Douglas Fairbanks Jr., Carole Lombard, Enrico Caruso, Miriam Hopkins, and many others. Pogany was awarded gold medals in Budapest and Leipzig Expo as well as the London Masonic Medal, and became a Fellow of the London Royal Society of Art. The New York Society of Architects gave him a silver medal for his mural in the August Heckscher's Children's Theatre showing Cinderella, Hansel and Gretel, and Jack in the Beanstalk. He won a gold medal in 1915 at the Panama Pacific Expo for his work The ValCares and was also awarded the Hungarian Silver Blue Medal. In 1914, Pogany's illustrations appeared on the cover of Metropolitan Magazine, Ladies Home Journal, Harper's Weekly, Hearst's Town and Country, Theatre Magazine and American Weekly.[6] In 1917 to 1921, he worked for the Metropolitan Opera designing sketches, scenery and costumes. In 1918 he illustrated a children's retelling of Homer, The Adventures of Odysseus and the Tale of Troy written by Padraic Colum. Pogany's public art appears on walls of the John and Mable Ringling Museum of Art (formerly Ringling Mansion) in Sarasota, Florida, in New York City at the El Museo del Barrio theater (1230 Fifth Avenue), P.S. 43 Jonas Bronck in Mott Haven, and the Bernard B. Jacobs Theatre (45th Street) and in The Strand Theatre...
Category

1930s Post-Impressionist Willy Pogany Art

Materials

Canvas, Oil

Willy Pogany art for sale on 1stDibs.

Find a wide variety of authentic Willy Pogany art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Willy Pogany in paint, watercolor, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Willy Pogany art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Alexander Raymond Katz, Erika Baktay, and Hugó Scheiber. Willy Pogany art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $575 and tops out at $12,500, while the average work can sell for $6,500.

Artists Similar to Willy Pogany

Recently Viewed

View All