Ynez Johnston Prints and Multiples

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...

Dynamic French abstract etching in black and grey by artist Julia Lan, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...

Tauba Auerbach creates art about language and logic through painting, drawing, photography, sculpture and instrument building. Auerbach’s one-person exhibition, “Tetrachromat” was presented at the Bergen Kunsthall, Norway; traveled to Malmo Konsthall, Sweden; and Wiels Contemporary Art Center, Brussels. In 2011 Auerbach was awarded the Smithsonian’s Artist Research Fellowship. Her work was included in the 2010 “Whitney Biennial,” New York; MoMA P.S. 1’s 2010, Greater New York; and the New Museum’s 2009 “Younger Than Jesus,” New York. Her work is included in the permanent collections of The Whitney Museum of American Art and the Museum of Modern Art, New York among others. She is represented by Paula Cooper Gallery...

Artist: Salvador Dali (1904-1989) Title: Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid atomizer anti-shade, ...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

April Gornik Tropical Drift, 1998 Exquisite color direct gravure with spitbite aquatint on Somerset Satin white paper Pencil signed, dated, titled and numbered 11/40 by April Gornik ...

Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...

Beautifully detailed abstract etching artist proof by French artist Oiseau de Terre, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold...

Beautifully detailed mid-century French etching, 1960. Signed A.Beauharnais lower right. Artist proof lower left. Original artwork on paper displayed on a white mat with a gold bor...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Planetary and Scatologic Vision Year: 1974 Medium: Engraving with embossing and color lithograph Edition: Numbered...