a La MOD INC

This 1980s Memphis style occasional table consist of painted steel with copper coil tubing and copper feet. The round glass top is 3/4 inch thick.

A stunning pair of tall table polished brass lamps made by Chapman in the manner of James Mont. Newly rewired, with new oatmeal colored linen shades, circa 1960s.

A faux bamboo magazine holder with a gold leaf finish in original vintage condition.

Desk lamp designed by Ron Rezek. This lamp has a raw steel finish, an adjustable arm and shade, circa 1980s.

This rare sculptural table lamp is designed by Studio Reggiani circa 1960s. Adjustable hight and light direction. Made in Italy

This newly professionally polished acrylic coffee or cocktail table is signed and dated. "Jeffrey Bigelow Design Group, 1975."

A fantastic pair of ceramic table lamps by Bitossi. These lamps are brown ceramic in the center with a metallic glaze at the top and bottom. Newly rewired with new nickel hardwar...

The curvaceous shape and soft molded foam of the Blob are conducive to fabrics with some stretch and minimum pattern, giving comfort in any modern setting, wh...

A fun and whimsical Memphis style side table in the manner of Peter Shire. This table consist of painted steel with a 23.5" round 1/2" thick...

Sophisticated floor lamp designed by Gerald Thurston for Lightolier. Brushed aluminum and walnut. Newly rewired. New oatmeal colored linen shade.

A brushed steel with brass and copper accents floor lamp designed by Pierre Cardin and made by Laurel Co. Newly rewired and new shade.

A solid polished stainless steel base with a new smoked inset glass top coffee/cocktail table by Brueton.

A floor lamp bye Raymor consisting of three chrome ball light and black painted metal base. Newly rewired.

A set of four very chic dining chairs from the 1970s. Designed by Gastone Rinaldi for Rima. Newly reupholster in a gray Ultra-suede fabric.

A very aesthetically pleasing table lamp designed in the style of Milo Baughman from the 1960s. Burl-Wood with brass. Newly rewired. New linen shade.

For you consideration a large polished brass with glass tray top cocktail/coffee table. This table consist of a heavy polished brass xBase, with a glass and brass tray tops that has...

A pair of table lamps by Chapman. These sculptural lamps are solid brass with oak at the base. Retains the paper labels and are dated 1987 New white linen shades

A acrylic side table with a inset glass top and chrome accents. New glass. The base had been professionally polished. Circa 1960s

A pair of Italian chrome chairs with woven white plastic seats attributed to Gio Ponti.

"Falcon" coffee table designed by Sigurd Resell. Rosewood frame supporting a round smoked glass top.

A pair of indoor/outdoor tables designed by Don Knorr for Vista of California. White Formica top with black metal bases

Acrylic table lamp by Les Prismatques with chrome hardware. Signed L.P. Newly rewired.

Chrome Floor lamp with black base and two black and chrome adjustable shades. Designed by Koch & Lowy

Brushed steel base with a black textured shade that can be adjusted many different ways.

A mixed media on board from the 1960's by American Artist Agnes Sims "Agi" Sims is known for paintings and sculptures inspired by prehistoric rock art of New Mexico. Born in Devon, Pennsylvania, Sims attended the Pennsylvania Academy of Fine Art and the Philadelphia School of Design for Women. She managed a traveling marionette theater before establishing herself as a textile and needlework designer in Philadelphia. After a visit to New Mexico in 1938, Sims returned to Philadelphia, packed her belongings, and returned to make Santa Fe her permanent home. She opened a classical record store in an eighteenth-century farmhouse on Canyon Road, but the shortage of shellac during the War put her out of business. Sims then became a building contractor (skills taught her by her contractor father), purchasing and renovating historic houses around Santa Fe. She later bought a nineteenth-century house with acreage on Canyon Road and built a compound including a house for herself and one for her long-time partner, Mary Louise Aswell, the fiction editor at Harper's Bazaar who had brought writers such as Eurdora Welty and Truman Capote to the public's attention. Shortly after her arrival, a friend introduced Sims to the Galisteo Basin south of Santa Fe which was dotted with the ruins of prehistoric Indian Pueblos, and home to tens of thousands of ancient petroglyphs. The rock art captivated Sims and became her primary inspiration for the rest of her career. Over the next decade she recorded 3000 petroglyphs in drawings and thousands more in photographs. In 1949 she received a grant from the American Philosophical Society to further her research, and in 1950 she published a portfolio of selected rock at drawings in her monograph, San Cristobal Petroglyphs. Most of Sims paintings and sculptures were inspired by petroglyphs, but unlike her documentary drawings they never were literal copies. Rather she adopted and adapted the two-dimensional representations of people and animal into an art that fit comfortably into the larger world of mid-century modernism. She used simple, idiosyncratic figures to create her own symbolism, the original meanings of the ancient art being mostly lost to the past. Sims worked in a wide array of media. Her oil paintings on canvas often were mixed with an earthen medium which gave them a rough, stone-like texture. She developed a batik-like resist process for painting on cloth, and used it to produce large, un-stretched wall hangings. She used this technique to produce an architectural frieze 3.5 feet high and almost 150 feet long which still adorns the Century Bank lobby in downtown Santa Fe. Sims was a prolific sculptor, working in wood, stone, bronze, terracotta, fiberglass, and polyester. Sims was given one-woman shows at the Brooklyn Museum, U.S. Embassy in London, Folger Library, Colorado Springs Fine Art Center, Santa Barbara Museum of Art, McNay Art Institute in San Antonio, Texas, and the Museum of Fine Art in Santa Fe. She also showed her work at the gallery she owned on Canyon Road. At times, she rented studio space in her gallery building to local artisans, hoping to spark a revival of early New Mexico...

Untitled "Flower in pot" by Raul Coronel. C.1968

Tesselated Coral box with inlaid brass edges and a brown velvet fabric on the inside.

An aluminum base with a new 1/2 inch kidney shaped glass top coffee/cocktail table circa 1970s