FOMOBOY

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Animal Capers, ca. 1970 . Ink on illustration board, image measures 20 inches. inches; ill...

Frederick Serger (1889-1965). Still Life, ca. 1950. Oil on gessoed paper mounted to illustration board. Image measures 16 x 17 inches. Framed measurement: 25.5 x 25.5 inches. ...

Abraham P. Hankins (1904-1963). Tabletop Still Life , 1950. Oil on canvas, 24 x 33 inches. Signed with artist monogram center right. Signed and dated in graphite on verso. One...

Joseph Kardonne (1911-1985). Nude Woman, 1945. Gouache on paper, sheet measures 12.5 x 16 inches. Image measures 11.5 x 15 inches. Signed, dated and titled lower left. Unframed. ...

Joseph Kardonne (1911-1985). Nude Woman, 1949. Gouache on paper, sheet measures 13.5 x 13.5 inches. Image measures 12 x 12 inches. Signed, dated and titled lower right. Unframed....

Abraham P. Hankins (1904-1963). Lake with Reflection of Mountains, 1952. Oil on canvas, 15 x 19 inches. Signed with artist monogram center left. Signed and dated in graphite on ...

Joseph Kardonne (1911-1985). Nude Woman, 1967. Watercolor on paper, sheet measures 11 x 14 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New Je...

Joseph Kardonne (1911-1985). Nude Woman, 1967. Watercolor on paper, sheet measures 11.25 x 17.25 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, ...

Joseph Kardonne (1911-1985). Nude Woman, 1967. Watercolor on paper, sheet measures 12 x 17.5 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New ...

Joseph Kardonne (1911-1985). James Dean, 1950. Charcoal on textured paper, sheet measures an irregular 11.25 x 18 inches. It has been folded in half a bears a crease along central li...

Carlos Ortuzar (Chilean, 1932-1985). Estaban Milla es Salvado de las Garras del Huecupor su Companero Lorenzo Huerta, ca. 1964. Oil on paper mounted to cradled masonite panel, 22 x...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The ...

Stefanos Sideris (1921-2014). Floral Still Life, ca. 1980. Oil on panel measuring 11 x 14 inches; 19 x 22 inches framed. Signed lower left.

Judi Rotenberg (20th century). Winston Flowers, Newbury St. Boston, ca. 1970. Ink and watercolor on Awagami paper, sheet measures 18.5 x 24 inches. Uppe...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 14 x 17 inches. Unsigned. Minor paint loss along edge.

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 15 inches. Unsigned. Minor paint loss along right edge.

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 16 inches. Unsigned. Minor paint loss along left edge.

Elizabeth Osborne (American/Philadelphia, b. 1936) Untitled (Portrait of a Lady), 1974. Watercolor painting on paper, signed and dated lower right. Unframed. Size: 22.75'' x 30...

Baron Robert Heinrich Freiherr von Doblhoff (1880 Vienna - 1960 ibid.) Woman with Red Hair Ink and watercolor on paper, image measures 6.25 x 7.25 inches; 12.75 x 13.5 inches fra...

Joe Tilson (British, 1928–2023) Ziggurat 5, 1966. Screen print, ed. 70. Pencil signed lower right, numbered (11/70) and titled lower right. Measuring 22"H x 34"W; Framed 29.5"H x ...

Chris Orr (British, b. 1943) Indian Without Reservations, 1968. Artist's proof etching, composed of four scenes. Edition of 30 with 5 Artist's proof, of w...

Manuel Pardo (1952-2012). Portrait, 1985. Oil on masonite panel, 18 x 24 inches. Signed, dated lower right. Excellent condition. One area of minor damage upper left corner. Manuel Pardo was born in Cardenas, Cuba in 1952, and lived in worked in New York City. Pardo graduated from the School of Visual Arts, and received his BFA in 1978. Having exhibited his works throughout the East Village, he was included in The Other Masculinity: Alternative Representations of Masculinity, an exhibition curated by founder and director of the New Museum, Marcia Tucker. His work was presented in a solo-show at the New Museum in 1991, and in various galleries and museums in France and Mexico. His work is characterized synthesizing his intricate line-work and pop-culture references to imagine the fantasy world his mother was never able to have. He passed away in New York City in 2012. SOLO SHOWS 2020 • Manuel Pardo "Selected Works", Art Sales & Research, Inc. 2011 • Manuel Pardo Stardust, Begovich Gallery, California State University Fullerton, Fullerton, CA, USA 2009 • Menor/Protégé, Manuel Pardo/Maggie Simonelli...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childh...

Pierre Bordenave (1900-1970). Costal Town in South of France, ca. 1960s. Oil on canvas measuing 19.75 x 24 inches; 26 x 30 inches framed. Signed lower right. Pierre Bordenave...

Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...

Inez McCombs (1895-1975). Virgin Islands, ca. 1950. Alkyd on paper mounted to masonite panel. Measuring 13 x 16 inches; 18 x 21 inches framed. Signed lower right. Philadelphia-...

Isabelle Graham Allison (Reese) (1927-2005). Calla Mayor, Venice ca. 1950s. Oil on canvas measuring 12 x 28 inches; 13 x 29 inches framed. Signed lower right. The artist lived and ...

Surrealist painting based on Edward Hicks painting, Peaceable Kingdom. Oil on wood panel, 14 x 20 inches. Signed Sovjani, 1970. Most remarkable about the image is the appearance of...

Isabelle Graham Reese (1927-2005). Floral Still Life, ca. 1950s. Oil on canvas measuring 12 x 16 inches; 17.5 x 21.5 inches framed. Signed lower right. The artist lived and worked ...

Isabelle Graham Reese (1927-2005). Floral Still Life, ca. 1950s. Oil on canvas measuring 16 x 20 inches; 22 x 26 inches in period frame. Signed lower right. The artist lived and wo...

Fantastic painting of a young girl blowing bubblegum. Oil on canvas, 24 x 32 inches; slightly larger in chrome frame. Signed illegibly lower right.

Beautiful Expressionist floral still life painting. Oil on canvas measuring 14 x 20 inches, 18 x 24 inches framed. Frame is from the 1960's but the canvas is clearly much older, ca...

Amazing surrealist painting by Italian artist Nuccio Fontanella (1936-2005). Ink and watercolor on cold pressed illustration board. Image measures 13 x 18 inches; 20 x 25 inches fram...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Jesse Redwin Bardin (1923-1997). Untitled, ca. 1960. Oil on canvas, 18 x 31 inches; 21.5 x 36.5 inches framed. Signed lower right. Provenance: Private collection, Philadelphia; F...

Beautiful floral still life by American artist Jane Piper (1916-1991) . Pastel, oil crayon and pencil on tracing paper. Image measuring 13 x 15.5 inches in original frame measuring 2...

Rene Beckley. City Streets, 1965. Oil on artist board, 16 x 20 inches; 18 x 22 inches framed. Signed and dated lower right.

Raul Diaz (Argentina, b.1950). Abstract Figure, ca. 1970s. Canved Walnut. Measures 17 inches tall including wood base. Carved signature in lower region. Excellent condition. An ear...

Fabulous illustration depicts a costume for Broadway production. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches framed. Excellent condition in ori...

Beautiful painting depicts a young black man holding skull and flip phone. Gouache on illustration board, image measuring 8 x 10 inches; 16 x 20 inches framed. Signed lower left.

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

Plate is in perfect condition. and measures 1.75 x 9.75 x 9.75 inches.

Bernard Segal (1907-1986). Cubist composition, 1966. Gouache and watercolor on paper, sheet measures 12 x 14 inches; 20 x 26 inches framed. Signed with monogram lower right. Estate stamp on verso. Excellent condition. Frame is a custom vintage construction in metal with soldered corners. Bernard Segal (1907 - 1986) Lived Active: New York / Pennsylvania Known For: figure, abstract painting, collage, and illustration - cartoons. Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. In the 1920's and 1930's, he lived in New York City and attended The Art Students League where he was creative with a number of artistic styles of the period. During World War II, he worked as a cartoonist for a government issue newspaper paper called 10-SHUN that was published in Greensboro, North Carolina. Bernard worked under the penname Seeg, and was the author of the comic strip Hank and Honey, that appeared in the New York Herald Tribunefrom the 1940s through the 1950s. This cartoon was syndicated and published in Quebec under the title Louise et Louis. The strip was later retitled to Ellsworth. Segal also illustrated a number of books that were published by the Union of American Hebrew Congregations, and Bible stories. In the 1950's Segal moved to Bucks County, Pennsylvania, and became a member of the New Hope Modernists. He worked with esteemed artists such as George Nakashima, Charles Evans, Louis Stone, and Charles Ramsey. Segal's most noted work was made during the 1960's, during which time he produced paintings and collages in the abstract expressionist style. He enjoyed painting bright abstract oil...

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 12 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lo...

Don Swann (1899-1954). Monoplane in flight. Etching, plate measures6 x 7.25 inches. Edition of 300. Signed and numbered in pencil lower margins. Don Swann was an important American...

Allan D'Arcangelo (1930-1998) Red Bridge, edition 120. Serigraph on Arches paper, 35 x 46 inches. Signed, dated and numbered in pencil, lower margins. Ship rolled in tube with glassi...

Beautiful illustration art painting depicts a gentleman calling on a Southern belle. Oil on canvas measures 16 x 20 inches; 18 x 22 inches framed. Signed lower left.

Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original signed oil painting on board Signed lower right--see photos Board:17.75"x 13.75...

MAURICE POZZETTO-French Primitive-Original Signed Oil-Corniche Harbor Marseille Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original ...

Beautiful ca. 1950s painting depicts Parisian cityscape. Artist unknown. Oil on canvas measures 16 x 20 inches; 24 x 28 inches framed. Signed lower right. The painting has some water...

Bill Crawford (1913-1982). Original illustration artwork depicting teams as they advance to the World Series. Depicted are representations of the St. Louis Cardinals and The Brooklyn...

Tshidiso Andrew Motjuoadi (1935-1968) Bottle Bag (A Penny for a Bottle). 1963. Ink on handmade paper laid down on plywood board, panel measures 20.5 x 28.75 inches. Signed and dated ...

William Sibberns (American). Male Nude in Bed, 2009. Pastel on paper, 10 x 14 inches. Measuring 16 x 20 inches framed. Signed and dated on page and...

William Sibberns (American). Standing Male Nude with Upraised Leg, 2011. Pastel on paper, 12 x 18 inches. Measuring 18 x 24 inches framed. Signed a...

William Sibberns (American). Big Cigar Man, 2010. Pastel on paper, 8 x 10 inches. Measuring 16 x 18 inches framed. Signed and dated on page and on ver...

William Sibberns (American). Ecstasy Man, 2001. Pastel on paper, 12 x 18 inches. Measuring 18 x 24 inches framed. Signed and dated on page and on vers...

William Sibberns (American). Man in White Jock Undressing, 2010. Pastel on paper, 12 x 16 inches. Measuring 16 x 20 inches framed. Signed and dated on...